Tag: Duo Duo

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Happy New Year & Decade!

Of the dozens of albums & singles I worked on that came out in 2019, Phantom Rhythm by Gong Gong Gong is particularly near & dear to my heart.  I produced/recorded/mixed the record (and earlier singles) with the group starting back in 2017, and played the works-in-progress for friends & colleagues, leading to tours with Parquet Courts, Bodega, and Flasher and a relationship with the always-interesting Wharf Cat Records. Unsurprisingly, this fresh take on “multinational blues” made its way onto a number of Best Of 2019 lists, including Loud and Quiet, Aquarium Drunkard, and Raven Sings the Blues, as well as writers’ lists in The Wire and The Guardian.

Phantom Rhythm also made its way onto Post Trash‘s Best of 2019 list, where it shares space alongside Duo Duo by electro-rock whiz kids Operator Music Band (another personal fave that I co-produced/recorded/mixed), and two records that I mastered: noise-punks Weeping Icon’s self-titled debut and Dehd’s stellar breakup-pop LP Water.

Gimme Tinitus‘s Best of 2019 also featured Gong Gong Gong, Operator Music Band, and Weeping Icon, as well as Brooklyn noise-rock duo ESSi and their mind-bending debut Vital Creatures (which I co-produced/recorded/mixed/mastered).

Perhaps the most touching was seeing Parquet Courts in a number of Best of the Decade lists.  The albums I produced with them (and Light Up Gold in particular) launched the band’s career, and were massively important for me and my trajectory as a producer/engineer.  In the seven years since Light Up Gold was first released, I’ve watched their popularity and stature steadily rise, as their name became a short-hand comparison for literate, catchy punk bands.  Nevertheless, it was humbling and exciting to see Light Up Gold rank #16 in Rolling Stone (and #2 in writer Rob Sheffield’s personal list), #37 in BrooklynVegan (and #7 in writer Bill Pearis’ personal list), #39 in AV Club, #41 in Treble, #78 in Vice, and #80 in Stereogum; Sunbathing Animal rank #140 in Pitchfork; and their break-out single “Stoned and Starving” rank #16 in Rolling Stone and #89 in Stereogum.

Snail Mail’s Lush also graced a number of these Best of 2010s lists.  I helped to record the album, which was produced & mixed by my studio partner Jake Aron.  Lush was undoubtedly important not just to the music culture of the last couple years, but also to our work: it was the first album tracked in the new Outlier Inn (where I’ve recorded many albums since Sunbathing Animal in the studio’s previous setup), and the first album mixed in our own Studio Windows.  Lush ranked #48 in Stereogum and #122 in Pitchfork, and its lead-single “Pristine” ranked #87 in Stereogum and #97 in Pitchfork.

One last thing I almost missed: Catherine – the short film & web series by Jenny Slate and Dean Fleischer-Camp (the minds behind Marcel The Shell With Shoes On) was featured in Vulture’s Favorite Comedy Moments of the Decade.  I don’t do much for sound-for-film these days, but this was certainly a highlight for me, and I’m happy to see it still getting some (admittedly confused) love.

I’m looking forward to 2020, with the debut album Person by my new group P.E. scheduled in March, alongside albums I’ve produced for Pottery, Public Practice, Dougie Poole, and Brandy also arriving this spring.  Regardless of how arbitrary Best Of lists can seem, it does feel like a great way to start off the new year & decade…. thanks for reading & listening.

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NYC synth-rockers Operator Music Band are back with their new album Duo Duo.  I’ve mixed the band’s past couple (excellent) releases (Puzzlephonics and Coordination), and this is my favorite work that we’ve done yet.  Don’t take my word for it – both Gold Flake Paint and Pop Bollocks both wrote glowing reviews: “Flamboyant, buzzing with energy, it’s a beautiful piece of art-pop, mirroring the spread of colours found across the album’s imagery. Meticulously produced, the record succeeds in that rare triumph of feeling both freely loose and exquisitely sequenced, able to follow-up regimented beats with a burst of shiny exuberance; a sudden burst of firework against a grey and plaintive sky.” I helped with production and recording (alongside Henry Terepka, Lorenzo Wolff, and the band) and mixed the record at Studio Windows.  Duo Duo is out now on Broken Circles – pick up a copy and stream below!

 

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NYC electronic-rock quartet Operator Music Band return with “Rex”, the newest single (and one of my personal favorites) from their upcoming LP Duo Duo.  I co-produced (with Henry Terepka of Zula), co-recorded (with Lorenzo Wolff and the band) and mixed the record at Studio Windows.  Fun Fact: the cover sculpture was designed and built by my Eaters collaborator Christopher Duffy!  Listen to “Rex” below, along with their previous singles “Mondo” and “Slim Spin”.  Duo Duo is out October 4 via Broken Circles.

 

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Brooklyn-based synth-rock groovers Operator Music Band are back with their new album Duo Duo. I’ve worked with them a few times over the years – mixing and mastering the Coordination EP and Puzzlephonics I & II – and I was thrilled to dig deeper with them on this one.  In many ways, it’s their first “proper” LP, and it stands as the culmination of all of the recorded experiments and incredibly tight live shows to date. I worked on production and recording (alongside Henry Terepka, Lorenzo Wolff, and the band), and mixed the record over the winter at Studio Windows.   Check out their first single “Slim Spin” below, read the reviews on Brooklyn Vegan and Pop Bollocks, and keep an eye out for more soon to come.  Duo Duo is out September 20 on Broken Circles.