Welcome to Bobby’s Motel – the debut full-length by Montreal art-punks Pottery – has finally arrived!  The  record has been widely praised – Album Of The Week on both Stereogum and Brooklyn Vegan, four-star reviews in NME and AllMusic, and a host of other loving reviews of the record, most of which include the word “fun” multiple times. I produced the album with the band last summer, recording in Montreal at Breakglass Studios and mixing in NYC at Studio Windows, with Josh Bonati providing the masters.  Working on this LP was one of my all-time favorite record-making experiences, and I couldn’t be happier to finally share it with the world! Welcome To Bobby’s Motel is out now on Partisan Records & Royal Mountain.

Tasmanian punk band and Rough Trade-signees A. Swayze & The Ghosts are back with a new single and the announcement of their debut LP Paid SalvationNME premiered “Cancer” along with a run-down of the record, which was recorded & produced by Dean Tuza (Stella Donnely) in Melbourne and mixed/mastered by me at Studio Windows.  “Cancer” is one of my favorite songs on the album – showcasing interesting sonic textures and an insanely catchy chorus.  Paid Salvation is out September 18 via Ivy League Records.

Person by my group P.E. is one of Treble Zine’s Best Albums of 2020 So Far! Treble has been extremely kind to the project so far – naming multiple singles Essential Tracks and Person Album Of The Week – and it’s lovely to see the record included here too.  “That it’s a catchy pop record that also happens to at times be an intense experimental record doesn’t make it a irreconcilable contradiction—that makes it one of the most endlessly fun listens of the year.”  Person is out now via Wharf Cat Records, and is available on LP, CD, and special-edition LP+bonus mixtape Sick, Sad, Fun! – please check it out if you haven’t already!

The Freelancer’s Blues – the sophomore LP from outsider electronic-country troubadour Dougie Poole – is out today via Wharf Cat Records.  Pitchfork called it “both wry and heartfelt, offering a kind of tongue-in-cheek spiritual audit for a modern age”, Flood Magazine marveled at his “knack for wordplay and subtle humor”, while AllMusic describes Dougie as a songwriter who “takes the formal structures of classic country and deliberately bends them into strange new shapes, while leaving the heart, soul, and passion intact, and the melodies strike a weepy bullseye throughout.”  I am particularly proud of this record (which I co-produced/-recorded with Dougie and mixed at Studio Windows) and I could go on & on about working on this LP with Dougie: from conceptualizing it shortly after finishing Wide Ass Highway, to the detailed demos & coded spreadsheets we had for pre-production, to walking around Thailand after basic tracking singing “I Was A Buddhist For A Couple Days” to myself, to the quest for more “Dougie Poolisms” while finishing the LP, and the serendipity of him joining the Wharf Cat family.  The Freelancer’s Blues is out now via Wharf Cat Records and available to stream/download via Bandcamp – do yourself a favor and pick it up!

Brooklyn’s day-glo retro-futurists Future Punx are back with a brand-new full-length called 2020.  Band leaders Jake Pepper and Chris Pickering engineered and mixed the album largely on their own, and I assisted throughout the process – from song-selection and recording through additional production and preliminary mixing at Studio Windows.  The resulting album feels like the strongest realization of their instant party-starting electro-rock dreams, just in time for summer!  2020 is currently available for streaming & download on their Bandcamp page, with plans for a physical LP due later this year via Dull Tools.

Gentle Grip – the debut album from NYC dance-punk quartet Public Practice – is streaming now on all platforms.  Consisting of members of WALL and Beverly, I’ve known each of the members for years, and have been a fan of the band since their very first show; I’m extremely proud of the work we did here.  I co-produced/-recorded half of the record with the band and mixed those songs at Studio Windows, which include the singles “Compromised” (currently on BBC Radio 6’s A List), “Disposable”, and “My Head”, plus “Cities”, “Underneath” (my personal favorite), and “Understanding”.  The remainder of the songs were recorded and mixed by the band and Jeff Berner, and the album was mastered by the always-excellent Joe LaPorta at Sterling Sound.  The press has been fantastic – 4-stars on NME and DIY, Album Of The Day on BBC Radio 6, Album Of The Week on BrooklynVegan, and a glowing review in TrebleGentle Grip is available now digitally, and LPs/CDs will be available on June 26 via Wharf Cat Records.

Pottery – my favorite Montreal acid-fried art-rockers – return with the new single “Hot Heater!”  Stereogum premiered the “very addicting” track, the fourth single from their upcoming debut album Welcome To Bobby’s Motel.  I adore this record we made together – recorded at Breakglass Studios in Montreal, mixed at Studio Windows in Brooklyn, and mastered by Josh Bonati – and am so proud to have one more gem to share before the LP proper.  Welcome To Bobby’s Motel is out June 26 on Partisan Records.

Dougie Poole – NYC’s outsider country troubadour – has a brand new single called “Los Angeles”.  This is my favorite song from the upcoming record The Freelancer’s Blues – beautiful melodies, an elegant arrangement full of Dougie Poole-isms, and lyrics to which any New Yorker can relate.  I produced and recorded The Freelancer’s Blues with Dougie at Studio Windows, where I also mixed it; Carl Saff mastered the record in Chicago.  You can read more about the song on Ears To Feed, Recommended Listen, and Brooklyn Vegan; stream it below, watch the video, and pre-order on Bandcamp.  The Freelancer’s Blues comes out June 12 on Wharf Cat Records.

Eaters – my electronic/art group with Bob Jones & Christopher Duffy – released a new ambient microtonal drone record today on Bandcamp.  Armonica was created with a hand-built Glass Armonica and synthesizers, improvised & recorded live, and edited/mixed/mastered at Studio Windows.  We decided to make this record available for donation, with all proceeds going to the Food Bank for New York City.  It’s available for stream and download on Bandcamp now – please donate what you can.