Fascination – the third LP from Australian darkwave artist Buzz Kull – is out now! Including the singles “Rise From Your Grave” (“a synth-driven stunner”- Post Punk), “Dancing With Machines, and “Last In The Club”, the new LP doubles down on the club/EBM influences from his previous albums, resulting in a blistering set of darkly danceable tunes. Marc produced the record almost entirely during lockdown, and I mixed & mastered the album at Studio Windows. Fascination is out now via Avant Records.
Australian darkwave artist Buzz Kull is back with two new singles – “Rise From Your Grave” and “Dancing With Machines”. Post Punk calls “Rise From Your Grave” “a synth-driven stunner” and The Brvtalist says “Dancing With Machines” fuses “elements of early body music and hovering in the realms of the dark side of British synthpop”. Both songs are from the upcoming full-length Fascination, the project’s third LP, each of which Marc and I have worked on together. Marc produced the record entirely during lockdown, focusing on a blistering set of darkly danceable tunes, and I mixed & mastered the album at Studio Windows Fascination is out November 25 via Avant Records.
New Kind of Cross, the new album by Australian darkwave artist Buzz Kull, is out now. This sophomore album was written and recorded over the past year, following an intense European tour and near-death accident. As with his debut Chroma, I mixed, mastered and added production to the record, which takes a darker and more aggressive tone than its predecessor. FBI Radio listed it as Album of the Week, saying “New Kind Of Cross is able to evoke elements of classic darkwave and renew them in a fashion that is fresh and compelling” and Cvlt Nation posted a feature on the artist and album. Make sure to check out Buzz Kull on tour now in EU, and stream the record below. New Kind of Cross is out now via Funeral Party Records (United States), AVANT! Records (Italy), and Burning Rose (Australia).
New Kind of Cross, the sophomore LP from Australian darkwave artist Buzz Kull, is coming out November 16 and Post Punk magazine premiered the video for first single “Avoiding the Light” to herald the announcement. Like the debut Chroma, I mixed/mastered the album, as well as adding additional production to the songs. If you live in Europe, make sure to catch Buzz Kull on tour next month! In the meantime, check out the video below… New Kind of Cross comes out November 16 via Avant (EUR), Burning Rose (AUS), and Funeral Party (USA).
“Avoiding the Light”, the new single from Australian darkwave artist Buzz Kull, is out now. Post-Punk.com premiered the song, which is the first song from his upcoming sophomore LP, due later this year via Burning Rose (AU), Funeral Party (US), and Avant (EU). I’m mixing, mastering and contributing additional production to these songs (as I did on his debut Chroma), and excited for the directions Marc and I have pushed this album. Stay tuned.
Out Magazine shared a surreal new video for “Into Me” by NYC electro-pop trio Strange Names, along with an interview with the band. “into Me” is one of my favorite songs off their new record Data, which was one of the last records that I mixed at Doctor Wu’s before its closure, and was mastered by Heba Kadry at Timeless Mastering. Data is out now on Frenchkiss Records.
And garage-punk quartet Gnarcissists released their debut single “We All Just Wanna” via Alt Citizen. It’s the first song from their first EP, which I’m mixing/mastering this summer, and which was recorded by Lucas Carpenter (our wonderful assistant at Studio Windows). Check it out:
It’s been waaaaayyyy toooo loooong since I’ve updated this page, and as a result I’ve decided to switch this page over to a more standard blog-style format from here on out: shorter updates more often. In the meantime, here’s a ton of things that I’ve worked on which have come out in the last few months:
The Drums released their new record “Abysmal Thoughts”, the first for Anti Records. The reception has been across-the-board good, with a variety of publications proclaiming the “music has never been better” (AV Club), “the purest version of his vision yet” (Allmusic), and “a treasure chest of an album in which you’ll find something different and unique hiding within each listen” (Paste). I worked closely with Jonny Pierce on this – (re)recording many of the live instruments, developing arrangements, adding synths and effects, and mixing the entire album. The album was beautifully mastered by Joe LaPorta at Sterling Sound, and I’m thrilled by this being out in the world. Watch the video for lead single “Blood Under My Belt” and stream the album in its entirety below.
Eaters – my electronic/art rock group with Bob Jones and Christopher Duffy – released our second untitled record on Dull Tools. CLRVYNT debuted the first single “Embrace the Strange” ( “It’s a gnarly track, illustrating how the band can rocket from one starting point to the far reaches of space”), Impose and Brooklyn Vegan ran some insightful interviews, and positive reviews graced Post-Trash, Flood, and YellowGreenRed. Favorite quote (from Post Trash): “Eaters have made an album that rewards those who listen by providing a different experience each time you put it on. Layered, complex, and varied, it pays off in different ways. It’s a record that gives you new favorite moments after you listen. Like light going through glass, the sounds refract outward based on who is listening. Give it a listen and see what sounds make it to you.” We’ve got some great shows coming up late-summer/early-fall, and new songs and sculptures in the works – stay tuned.
Gold Dime – the arty no-wave trio led by Talk Normal’s Andrya Ambro – released their debut Nerves on Fire Talk. I mixed this expansive feedback-soaked LP last year, Sarah Register mastered it, and it’s been gaining nice press from Impose, Brooklyn Vegan, AdHoc, and more. They’re playing around NYC quite a bit, and you can stream/purchase the LP directly below:
NYC singer-songwriter Tica Douglas released their latest album Our Lady Star of the Sea, Help Us And Protect Us on Team Love. I mixed and mastered this album, which ranges from intimate guitar-and-voice ballads to full-blown compositions with synths, drums, horns and more. Tica and the LP received a great deal of press, with features in MTV, Impose, CLRVYNT, and Bandcamp (who also named it one of the spring’s best releases). Stream it below and then go pick up a copy on LP.
Australian darkwave maestro Buzz Kull released his debut LP Chroma. I co-produced/mixed/mastered over the course of many months, trading files back and forth as the songs took shape. It’s been a long time coming, and I’m so happy to see this killer LP out. Chroma is out now on Burning Rose, and you can stream it on their Soundcloud.
Canadian trio Telecomo recently released their debut album For Sale. I recorded/mixed/mastered this collection of tightly-wound jangly garage anthems, which you can stream below and purchase from their Bandcamp page.
Prog-punk/psychedelic hardcore group Fucked Up released the Year of the Snake EP, the latest in their ongoing series of Zodiac-themed epics. Noisey interviewed the guitarist/song-writer Mike Haliechuk about the record (which I mastered), calling this EP “the best one next to 2008’s 19-minute long Year of the Pig.” Pitchfork also praised the EP, saying “even after decades’ worth of relaxing boundaries, Fucked Up bastardize hardcore in a way that gives off the thrill of creative heresy.” Year of the Snake is out now on Tankcrimes.
Former Dirty Beaches ringleader Alex Zhang-Hungtai has a trio called Love Theme. Their new self-titled LP (which I mastered) is out now via Alter, with songs on Pitchfork and FADER, and they’re touring North America this September. Check it out:
The Tills – a wild and catchy psych-garage group from North Carolina – released their new LP CANON. I mastered this record, which was recorded and mixed at The Fidelitorium by Missy Thangs, and it slays. Amplifier Magazine and Clture both featured the group, calling it “thoughtfully unkempt and unpredictable at times, catchy yet familiar”. CANON is out now on Phuzz Records.
And NYC-based glitch-pop duo HDLSS recently released the LP Selections from DUMB. I mastered this record along with my studio partner Yale Yng-Wong, and tracks have been featured on FADER, Stereogum, and Noisey. Stream the thing below:
I also edited and mixed the feature-length film component of Radical Hospitality, a long-form installation by Montana Simone at IDIO Gallery, as well as assisted on sound-design for the installation itself. The project is based on her experiences while traveling through the Middle East, Mediterranean, and Western Europe, being welcomed in both “hostile” cultures and by refugees alike. The abstract film serves as the guide/anchor to the installation, which also featured large-scale sculptures, interactive music, and a zine of found photographs. The trailer is streaming below.
Thank you for reading. Please write me at jonathan [dot] schenke [at] gmail to get in touch.
Hi everyone, long time no post. I’ve been in the studio and/or traveling over the past few months… here’s an attempt to catch up:
NYC scuzz-rockers The Men have announced their upcoming album Devil Music. They recorded it live in their practice space with Jordan Lovelace (of Pampers and Tournament), and we mixed/mastered it at Doctor Wu’s this spring. It’s a rawkus return to form for these guys – fans of the early albums should be psyched! Noisey premiered the first single “Lion’s Den” and asked some questions of guitarist/singer Nick Chiericozzi – check it out! Devil Music is out November 11th on We Are The Men.
Australian dark-wave artist Buzz Kull premiered “Tomorrow’s Ghosts” on Noisey. It’s the new single from the upcoming album Chroma, which I co-produced/mixed/mastered this LP long-distance over the course of a year or so. Buzz Kull is supporting The Soft Moon on their Australian tour this fall – a perfect fit. Chroma is out soon via Stellar Kinematics.
On the Eaters front: Our remix of Parquet Courts’ “Human Performance” was released as a single, and the Performing Human EP is out now on Rough Trade. Parquet Courts has also invited us to create an installation at the Knockdown Center in Queens, NY on December 10th – tickets are on-sale now, and more information is available here. And our new LP will be out in Spring 2017 – we’re finishing art and masters now.
New releases available now:
- Parquet Courts – Performing Human EP (in addition to the Eaters remix, I mixed the ‘Dreamland Version’ of the song and mastered the EP)
- Kel Valhaal – New Introductory Lectures… (Hunter Hunt-Hendrix from Liturgy’s solo electronic project, which I mixed and recorded vocals at Doctor Wu’s – check out his interview with Paper Mag)
- A couple records by Alex Zhang-Hungtai, formerly Dirty Beaches: Ancora, a live improvisational recording with David Maranha and Gabriel Ferrandini on Grain of Sound (which I mixed and mastered) and Knave of Hearts, a collection of drones and solo-piano on Ascetic House (which I mastered)
- Holly Overton – The Split EP (the MPHO singer/songwriter backed by Jason Kelly from Fergus & Geronimo/Future Punx and Ben Jaffe from Pill. I recorded/mixed/mastered this earlier this year)
- Brian Chillemi – I Went to Town EP (Junk Boys/Organs singer/songwriter goes solo, check it out on Impose or on cassette via Time Castle Recordings. I mastered this.)
- Antibodies – Vessels EP (Brooklyn indie duo via Don Giovanni, mastered at Doctor Wu’s)
- Alex Rose – Grandmothers/Coattails (Austin folkie, produced by House of Feelings, mastered by me)
- ‘In and Out of Control’ – a short film by Emir Eralp, scored by our song “Remainderman” – won best in show at CANIFFF… you can view the film here.
- ‘Mom Died’ – a short film by Robin Comisar, which I mixed – debuted at Bad Water Film Festival and is available to view here.
- ‘Bluebeard’ – a short film by Rachel Cole and Kimberlee Venable, which I mixed – will premiere at Bushwick Film Festival
I recently did an interview with the podcast The Stonehall Sessions. The host Riley had done quite a bit of listening to my back-catalogue, and we had a great talk about recording and the creative process. The title about sums it up perfectly: “Work on it Until You Don’t Want to Work on it Anymore”
I spent a couple weeks in Germany this summer working on a record with the group Behave. Their music is catchy, creative, and grooving rock – fans of classic 10cc, kraut rock, and the Captured Tracks roster take note! We recorded to a Studer A800 using a bunch of vintage Neumann and AKG mics, and the results sound amazing. I’m putting the finishing touches on the mixes now, so hopefully this record will be out early next year.
Shortly after returning, I began working with The Drums on their new LP. Their previous releases had been performed and recorded almost entirely by band-leader Jonny Pierce, but he wanted to try things a bit differently this time. We took his original sessions, recorded live drums (at Thump), and spent a month at Doctor Wu’s adding to/replacing/re-arranging/mixing the record. I am immensely proud of the work we did – it’s a beautiful, imaginative, and immediately memorable collection of songs. Joe LaPorta will be mastering it at Sterling Sound, and it should be out in Spring 2017. I can’t wait for people to hear it.
Last week, I worked with the Brooklyn buzz-band The Britanys on their debut EP. Their early singles were home-recorded and mixed by Gordon Raphael (of Is This It fame), and the group has already gained an eager following from publications like NME (who premiered a video while we were in the studio). We spent a few days at Seaside Lounge recording to 8-track tape, and mixed and mastered at Doctor Wu’s. Expect to hear a lot more soon.
And in between all of this, I mastered a couple of records: a brilliantly damaged new LP by PC Worship for Northern Spy; and a go-for-broke gonzo rock record by The Tills from North Carolina. Both are excellent, and should hopefully be out sooner rather than later.
Thank you for reading – if you’d like to talk about sound, please write jonathan [dot] schenke [at] gmail [dot] com
Eventide Audio, the legendary effects and gear manufacturer, recently announced their latest plugin TVerb. The plugin was developed in association with producer Tony Visconti, based on the fabled recording technique used on David Bowie’s “Heroes”, where he used multiple gated microphones placed at varying distances to capture the size of Bowie’s voice in the hall at Hansa Studios. I worked with designers Joe Waltz and Adrienne Humblet as an “alpha tester” and sounding board to help develop the plugin, and contributed a handful of presets I developed on the new Eaters LP. It’s not only a fantastic sounding reverb, but also an inventive approach to sound design that can yield some pretty unique results. Check out Tony Visconti introducing TVerb below.
The psych/prog sextet Cloud Becomes Your Hand have announced their new LP Rest in Fleas. I mixed and mastered the LP with head-Cloud Stephe Cooper and the band last fall, and I love this record – wild yet precise, hilarious and horrendous, it hits all the spots that you would want from a prog-pop opus. FACT Mag and Tiny Mix Tapes have both written excitedly about the new record, sharing a bonkers new trailer and the dizzying first single “Bridge of Ignorance Returns” (hear below). FACT says the band have “such a knack for silly, cartoonish melodies that it can almost distract that they’re one of the most technically dazzling experimental rock bands on the rise.” They’re hitting the road soon with label-mates Horse Lords… don’t miss out! Rest in Fleas is out May 27th on Northern Spy.
Honey Radar is back with another batch of lo-fi pop-gems called Blank Cartoon. Band-leader and old pal Jason Henn spoke with Noisey about the record, who also premiered the “busted pop” of the single “Fort Wayne Mermaids”. Pitchfork reviewed the track as well, writing “Lo-fi, catchy, and classic-sounding, Honey Radar’s albums evoke a dirt-covered Nuggets collection from an alternate universe.” Raven Sings the Blues shared the “hypnotic swirl and noxious chug” of “Caterpillar”, and Treblephonic posted an insightful interview about the background of the project. I mastered this LP over the winter, it’s awesome, and available May 20 on What’s Your Rupture.
Parquet Courts recently released Human Performance to widespread acclaim and are out on tour now in support of it, but before they left, we worked on an EP of remixes and alternate versions of the title track. I mixed a slower, more meditative version of the song called “Performing Human”, worked with my bandmate Bob Jones to create an Eaters remix, and mastered the EP (which also includes a dubbed-out remix by Chris P of Future Punx/Dull Tools). The EP is due later this year on Rough Trade.
After some well-deserved time off and stripping back to a quartet, hard rockers The Men have completed a new LP called Devil Music. They recorded it completely live (vocals and all) in their practice space with Jordan Lovelace (of Tournament/Pampers), and I recently mixed and mastered it at Doctor Wu’s. It’s totally gnarly and woolly – fans of The Men’s first few records will be thrilled. Devil Music should be out later this year.
I also recently worked with Mark Perro from the Men on another project – Midnight People, the debut album from MPHO. We recorded at Seaside Lounge at the beginning of the year, and mixed and mastered the LP at Doctor Wu’s. The group – which also features singer/songwriter Holly Overton and bassist Russ Hymowitz – shifted gears a bit on this recording, with the addition of a live drummer to the lineup. The record still shares much with the melodic synth pop of their first EPs, but pushes in a rock/new-wave vibe with the more “live-band” dynamic. Midnight People should hopefully be out soon.
I’ve recently put the finishing touches on Chroma, the new album by Australian dark-wave group Buzz Kull. I first worked with Marcel Whyler on his single “Dreams”, co-producing/mixing/mastering it, and paving the way to this record. It’s great – heavy and danceable rhythms, moody and memorable hooks, with an interesting array of sounds and textures. Chroma will be out later this year on Stellar Kinematics.
I’ve also been working with bizarro rock/synth noise band Ice Balloons to finish up their new LP. We recorded a handful of tracks down at Seaside Lounge earlier this year and the group recorded a number of others themselves. We took the batch into Doctor Wu’s to mix, and I’m mastering it now.
I’ve worked on a handful of masters over the last couple of months as well. Alex Zhang Hungtai (formerly Dirty Beaches, currently Last Lizard) sent me a record’s worth of solo piano and field recordings, entitled Nina. This beautiful and haunting collection will be out later this year on Ascetic House. I mastered a record of blissed-out synth jams by Barry London (of Oneida) for Decontrol Records; a single by Alex Rose, a singer-songwriter associated with GODMODE’s House of Feelings; a bluesy solo EP by lead Junk Boy Brian Chillemi; and the lead single by Obliques (formerly Zulu Pearls) for Cantora Records.
Many other projects are in the works too, and hopefully it won’t take another two months to update again… if it does, don’t forget to check out the Cloud Becomes Your Hand and Honey Radar records in the next few weeks! Thanks for reading.
In fall 2014, Parquet Courts and PC Worship toured together in Europe, playing individual sets as well as a collaborative set under the name PCPC. They wrote a bunch of new material specifically for these shows, loose and noisy tunes that drew influences from both camps. Their performance at Ramsgate Music Hall in Kent, England was captured, and with no studio recording, it is the only document of this project. I mixed and mastered it with members of the group last summer, and the performance is now available on LP and digital download via Dull Tools. Check out my jam “I Know (You)” below, or head over the Dull Tools Bandcamp page to pick up a copy for you and your friends.
Shortly after their tour supporting their debut LP Rituals, I went back into the studio with Honduras to work on a new EP called Gathering Rust. We recorded the tracks at Thump Studios in Brooklyn and mixed/mastered at Doctor Wu’s this winter, and these new songs show the band building upon the strengths of the LP and their time on the road. NME debuted the first single “Hollywood”, and the follow-up “That Old Feeling” recently hit The Fader. The Gathering Rust EP is out this week, and the band is currently on the road with Sunflower Bean on their way down to SXSW. Check out “Hollywood” below:
I spent some time in the studio last fall with Jordan Bernstein (of PC Worship and the Dreebs) to help bring his new project Jordonna into focus. It’s a far cry from the damaged noise rock of either of those groups, focusing instead on trap beats, prepared guitar, and male/female rapping/singing. Far out stuff, for sure. Jordan, along with Marilu Donovan and Heidi Beth Ferrell, recently released the debut LP The Wallet in its entirety via Soundcloud, along with some videos and live performances. Stream the video for “Mad Dog” below, and visit the Jordonna Soundcloud page to stream the album in full.
Bronze Float recently released their second LP Standard Final Candle. Led by David Brant, the personnel on the record includes many of my old friends from the rotating Elephant Micah/Vollmar/Honey Radar crew. I mixed and mastered this record with David back in 2014, and it’s a pleasure to be able to share these tender, beautiful recordings with the public. Fans of Arthur Russell’s album Love is Overtaking Me, Sebadoh’s more reined-in moments, and Skip Spence will find much to enjoy here. The limited-edition hand-cut LP is already sold out, but you can download and stream the album via Third Uncle.
Eaters – my project in collaboration with Bob Jones (music) and Christopher Duffy (visuals) – created a sound and light installation at Machines in Magnets (in Pawtucket, RI) in January/February. The show included our prepared-turntable sound sculpture Moment of Inertia, as well as a new sound sculpture (a modification of the Ring sculpture from our live show) and a series of light objects that Chris made based on and inspired by his work for our performances. It was an amazing experience to see some new ideas come to fruition and to transform a space like that. We’re planning a NYC installation now – more news when we get it. In, other news: we finished our new record! Come see us April 28th at the Marlin Room at Webster Hall (with Suuns and John Congleton) to hear some new songs, and check out the video for Moment of Inertia below.
I’ve recently been working with Hunter Hunt-Hendrix from Liturgy on his new solo project, Kel Valhaal. In many ways, the project picks up where The Ark Work left off minus the “band” aspects, with the sound palette focused on abstract electronics, pitched kicks, glitch edits, and the “uncanny valley” of quasi-realistic instrumentation. We did vocal recording (though the record is largely instrumental) and mixing at Doctor Wu’s over the past couple months, and are wrapping up the master now. It’s a rich and unique sound, and am excited for people to hear this soon.
I’ve also been working on the new Fucked Up EP Year of the Snake, the latest installment of their Zodiac series. I recently mastered their tracks for the A-side and B-side (as epic as you’d expect!), and am waiting on a couple of remixes to complete the release. Expect it later this year on What’s Your Rupture.
Additionally, I’ve been on new records by MPHO (now a quartet with a live drummer), Ice Balloons (featuring members of TV on the Radio and Wild Yaks), and Buzz Kull (whose singles “Dreams” and “Nausea” I’ve previously mixed). I’ll be wrapping up each of these (very different but equally interesting) releases in the next month, and will write more about them next time.
As always, thanks for reading, and please feel free to reach out if you’d like to talk about sound. All the best, Jonny.
Well… there goes 2014. It seems like only a short while ago that I was shaking off NYE and going upstate with Parquet Courts to finish Sunbathing Animal. That album earned its way onto nearly everyone’s year-end lists, including Spin (#2), Pitchfork (#24), Rolling Stone (#28), NME (#35), and Stereogum (#50). Based on the strength of that record, their follow-up full-length-EP Content Nausea (which featured some outtakes from our SBA/Tally sessions), and months of killer live shows, Spin declared them “2014 Band of the Year”. The band played a sold-out show at Webster Hall this month – the day the Spin article posted and with homies PC Worship and Blues Control – that felt like a victory lap for everyone involved. I couldn’t be more thrilled for my dudes, and can’t wait to see what they do in 2015.
Mannequin Pussy’s Gypsy Pervert also got some best-of love this year after being reissued on Tiny Engines. Rob Sheffield of Rolling Stone put it as his #9 album of the year (Sunbathing Animal was his #1, holla!), and as the #1 cassette release of the year. Way to go guys!!
And though they didn’t get the year-end accolades that Sunbathing Animal did, PC Worship’s Social Rust, Mazes’ Wooden Aquarium, and Dream Police’s Hypnotized – as well as the Eaters LP (duh) – are some other records that came out in 2014 that I feel very proud to have been a part of. These are compositionally and sonically interesting albums that you should check out now, if you haven’t already!
Another one of my favorite projects of 2014 is the recently-released second single by glam rockers Fa Bonx. I. love. these. songs! The first single sold out and this one’s even better, so don’t wait! “49 Stick” b/w “Tramps Jamble” is out now on What’s Your Rupture?
Fort Lean – a band that includes Jake Aron, my studio partner at Doctor Wu’s – are releasing a new record called Quiet Day, their first full-length. The album was recorded and mixed through 2013 and 2014, and the time and energy spent making it is evident in both their songwriting and arrangements. Daniel Schlett mixed the bulk of the record at Strange Weather; I mixed one song entirely and did additional mixing with Jake across the rest of the record at Doctor Wu’s. Quiet Day comes out spring 2015 on Ooh-La-La Records.
Also recently released is “Dreams”, the new single by Australian darkwave duo Buzz Kull. I met Marcel earlier this year while touring Australia with Parquet Courts, and was psyched when he asked me to work with them on this track. Marcel did an interview with Noisey recently (thanks for the shout-out!), and the physical single is out soon on Fabrika Records.
I spent a week mid-November at Outlier Inn with Honduras, recording their full-length debut. It was a real treat to be back at Outlier Inn (where we finished Sunbathing Animal) – the gear and vibe there are truly great. We recorded to my Otari MX-5050, and the band were eager to capture the live energy while pushing into new sonic territories, which gave me a real license to experiment with sounds. We mixed and mastered at Doctor Wu’s earlier this month, and it’s a truly killer-sounding album. Look for it spring 2015 on Black Bell Records.
Another record I recently worked on was with a new band called Shop Talk. Basic tracking was done by my friend Kyle Keays-Hagerman (who I worked with on the Dream Police LP), and I recorded vocals as well as mixed and mastered at Doctor Wu’s. It’s tightly-wound melodic punk – the metaphor we kept using was “raw nerve” -and turned out way cool.
I also recently mixed a handful of songs for Rat Columns (led by Lace Curtain tour buddy David West). Rat Columns is way different than his work with Lace Curtain or Total Control – bittersweet, C-86 vibey pop songs. I’m not sure what’s in store for these tunes, but hopefully they’ll be out soon.
And I’m wrapping up an album by Hums and Haws, the studio project of Chicagoan Matt Kordonowy. Matt was an intern at Experimental Sound Studio while I worked there, and it’s been great to reconnect and work together on this record. I’ve mixed many of the songs on the album (ESS engineer Todd Carter mixed the others) and am mastering it now. The songs on the record are quite varied – from beat-less washes of melody, to grungy pop songs that recall both the Kinks and Beck, to percussion-heavy rockers, and everything in-between – and it was a fun challenge to pull it all together.
I’ve also mastered a few records over the last couple of months: the debut album from new band Lightning Bug (a heady blend of shoegaze mind-numbers, psych-pop ala Broadcast, and ambient drone), the third EP from Railings (rock/pop equal parts dreamy and mathy), and a new album by the I Ching Quartet (acoustic folk ensemble and old friends from Chicago).
I’ll be spending most of the next couple months working on Eaters with my main man Bob Jones. We’ll be writing and recording new material and have some shows coming up in the new year, including a show with Wham City’s own Dan Deacon (February 25th at Rough Trade NYC). We got together a couple weeks ago to start plotting out this next record, and recorded this musical gift for everyone. It’s a cover of “Radioland” by Kraftwerk, based on an arrangement Bob wrote for guitar.
Happy holidays y’all – see you in 2015.