Chinese/Canadian guitar-and-bass duo Gong Gong Gong return with Phantom Rhythm Remixed! The remix LP was announced today via Exclaim, along with a remix of “Some Kind of Demon” by Yu Su. The original Phantom Rhythm is a highlight of my discography, and these remixes stretch the sound of those songs into new shapes while remaining undeniably Gong Gong Gong. I’m excited not only for fans being able to hear these new versions, but also that my group P.E. has the opening remix on the album – a psychedelic odyssey spun out of “Ride Your Horse”. Phantom Rhythm Remixed is out on June 25 courtesy of Wharf Cat Records – pre-order the record through their site or Bandcamp, and check out the travelogue video for the Yu Su remix below.

My group P.E. returns with I Wanna Be Your Dog, Boy – our take on a couple of punk classics.  The A-Side is a minimal & surreal interpretation of The Stooges’ “I Wanna Be Your Dog” (which we played live earlier this year) with a relatively more straight rendition of The Ramones’ “I Wanna Be Your Boyfriend” on the flip.  Flood Magazine premiered our version of “I Wanna Be Your Dog” – which they called “equal parts seductive and unnerving” – with additional features on Stereogum (“eerie, sax-laced, broken-down”), Treble (“excellent”), and Brooklyn Vegan (“slowing it to a crawl but upping the heat to just below a boil”) and NPR’s Viking Choice Playlist.  These songs may have begun before the pandemic, but they were largely recorded & arranged remotely, and served as the perfect gateway into working on our next record.  I edited/mixed/mastered both songs at Studio Windows in Brooklyn, NY.

I Wanna Be Your Dog, Boy is out now courtesy of Wharf Cat Records.  Stream it below & download over at Bandcamp

Today is the monthly no-fee Bandcamp Friday, and there are three new releases I worked on that are out now & exclusive to Bandcamp.

My group P.E. shared our mixtape Sick, Sad, Fun! Originally released in March on cassette as part of the special-edition of our debut LP Person, Brooklyn Vegan calls SSF “a wild, psychedelic collage of album outtakes, live recordings, new songs and remixes.”  It is now available for streaming & download, with limited cassette copies (and Person/SSF bundles) remaining, courtesy of Wharf Cat Records.

My bandmate Bob Jones released his debut solo EP Materiel as Jha Bones.  Bob and I have collaborated in Eaters, P.E., and with a number of other musicians over the past nine years, and I’m excited that he’s opening his archives to the world – there’s plenty more gold where this came from!  This beat-and-sample driven collection of songs was mixed/mastered together last year at Studio Windows – check it out:

I also mastered a collection of covers by outsider singer/songwriter Jeff Zagers entitled And You Will Hear What It Is.  There are some truly lovely interpretations of the classics here, my favorite being his rendition of Big Star’s “Holocaust”.  And You Will Hear What It Is is out now via Wharf Cat Records.

Person by my group P.E. is one of Treble Zine’s Best Albums of 2020 So Far! Treble has been extremely kind to the project so far – naming multiple singles Essential Tracks and Person Album Of The Week – and it’s lovely to see the record included here too.  “That it’s a catchy pop record that also happens to at times be an intense experimental record doesn’t make it a irreconcilable contradiction—that makes it one of the most endlessly fun listens of the year.”  Person is out now via Wharf Cat Records, and is available on LP, CD, and special-edition LP+bonus mixtape Sick, Sad, Fun! – please check it out if you haven’t already!

The Freelancer’s Blues – the sophomore LP from outsider electronic-country troubadour Dougie Poole – is out today via Wharf Cat Records.  Pitchfork called it “both wry and heartfelt, offering a kind of tongue-in-cheek spiritual audit for a modern age”, Flood Magazine marveled at his “knack for wordplay and subtle humor”, while AllMusic describes Dougie as a songwriter who “takes the formal structures of classic country and deliberately bends them into strange new shapes, while leaving the heart, soul, and passion intact, and the melodies strike a weepy bullseye throughout.”  I am particularly proud of this record (which I co-produced/-recorded with Dougie and mixed at Studio Windows) and I could go on & on about working on this LP with Dougie: from conceptualizing it shortly after finishing Wide Ass Highway, to the detailed demos & coded spreadsheets we had for pre-production, to walking around Thailand after basic tracking singing “I Was A Buddhist For A Couple Days” to myself, to the quest for more “Dougie Poolisms” while finishing the LP, and the serendipity of him joining the Wharf Cat family.  The Freelancer’s Blues is out now via Wharf Cat Records and available to stream/download via Bandcamp – do yourself a favor and pick it up!

Gentle Grip – the debut album from NYC dance-punk quartet Public Practice – is streaming now on all platforms.  Consisting of members of WALL and Beverly, I’ve known each of the members for years, and have been a fan of the band since their very first show; I’m extremely proud of the work we did here.  I co-produced/-recorded half of the record with the band and mixed those songs at Studio Windows, which include the singles “Compromised” (currently on BBC Radio 6’s A List), “Disposable”, and “My Head”, plus “Cities”, “Underneath” (my personal favorite), and “Understanding”.  The remainder of the songs were recorded and mixed by the band and Jeff Berner, and the album was mastered by the always-excellent Joe LaPorta at Sterling Sound.  The press has been fantastic – 4-stars on NME and DIY, Album Of The Day on BBC Radio 6, Album Of The Week on BrooklynVegan, and a glowing review in TrebleGentle Grip is available now digitally, and LPs/CDs will be available on June 26 via Wharf Cat Records.

Dougie Poole – NYC’s outsider country troubadour – has a brand new single called “Los Angeles”.  This is my favorite song from the upcoming record The Freelancer’s Blues – beautiful melodies, an elegant arrangement full of Dougie Poole-isms, and lyrics to which any New Yorker can relate.  I produced and recorded The Freelancer’s Blues with Dougie at Studio Windows, where I also mixed it; Carl Saff mastered the record in Chicago.  You can read more about the song on Ears To Feed, Recommended Listen, and Brooklyn Vegan; stream it below, watch the video, and pre-order on Bandcamp.  The Freelancer’s Blues comes out June 12 on Wharf Cat Records.

Public Practice – the NYC dance-punk quartet featuring members of WALL and Beverly – return with a new single from their debut full-length Gentle Grip.  “My Head” – which premiered on Stereogum – is a disco-rooted earworm, and features a video by Studio JojoBrooklyn Vegan also featured the track, along with music/book recommendations from the band.  “My Head” is one of the songs I co-produced/recorded and mixed on Gentle Grip, and of my favorite songs on the album (which was mastered by Joe LaPorta at Sterling Sound).  Check it out now, and pre-order the album, which comes out May 15 (digital)/June 26 (physical) via Wharf Cat Records.

NYC country weirdo Dougie Poole is back with the brand-new single “Vaping On The Job,” which premiered today on The FADER.  It’s the first puff of his upcoming sophomore LP The Freelancer’s Blues, which I produced/recorded/mixed at Studio Windows in Brooklyn.  Dougie and I conceived of doing a record like this – more band-oriented and relatively “hi-fi” but keeping all of the “Dougie Poolisms” intact – shortly after completing mixing for his debut Wideass Highway.  It was a long road from conception to completion, but the hard work shines across the album, from the earnest-yet-hilarious lyrics and spirited performances, to the intricate and other-worldly arrangements, to the final mix & presentation.  I’m truly proud of this record, and thrilled to be able to share a bit of it today!

The Freelancer’s Blues is out June 12 via Wharf Cat Records (home of Gong Gong Gong, Public Practice, P.E. and other family faves).  Check out the song & article on the FADER, and take some time to revisit Wideass Highway while you’re at it – “Don’t You Think I’m Funny Anymore” is a stone-cold classic.