The new album from psychedelic sextet Cloud Becomes Your Hand – Rest in Fleas – is out now on Northern Spy Records.  The Wire streamed the album in full leading up to the release, characterizing their music as “spanning Cantebury psych and the angular agitation of Oingo Boingo and early Devo.”  The group also released a trippy/drippy video for album-opener “Hermit”, which was featured on Stereogum (“as idiosyncratic as they are entertaining”) and Impose (“full of energy… their wayward bent is hard to resist”), and is streaming below.  I’m delighted to have mixed and mastered this incredible record – definitely check it out, and don’t miss out on seeing them live either!

“Busted pop” group Honey Radar recently released their new LP Blank Cartoon.  In addition to the pre-release buzz on Pitchfork and Noisey, the album has received glowing reviews from Tiny Mix Tapes (“a continuous stream of melodic consciousness where songs can expand from a few seconds of an idea into a nearly 4 minute single just as tightly wound and bombastic as those seedlings”) and AllMusic (“[Jason] Henn’s crack hand at melodies keeps listeners on the edges of their chairs waiting for the next one to come along”), with even USA Today naming “Caterpillar” one of the best songs of the week.  It was a pleasure to master this album – Jason’s an old friend and his music continues to amaze and entertain… I can’t wait to hear what they’re working on next!  Blank Cartoon is out now on What’s Your Rupture, and you can stream it below.

Kel Valhaal – the new solo project from Liturgy‘s Hunter Hunt Hendrix – recently announced the debut album New Introductory Lectures On The System of Transcendental Qabala.  Consequence of Sound, Tiny Mix Tapes, and THUMP featured the first single “Tense Stage”, which “burns and punishes like Liturgy, but through twitchy, gritty electronics” (COS).  I worked with Hunter on this record at the beginning of the year, recording vocals and mixing the songs at Doctor Wu’s, and I’m excited to see/hear him stretching out from the palette and preconceptions of Liturgy.  For more insight into the ideas and philosophy behind these projects, check out this new interview in THUMP.  New Introductory Lectures is out July 15 on Hunter’s new label YLYLCYN – preorder it here and stream “Tense Stage” below.

NYC trio VBA recently released their scuzzy art-rock EP Will It Still Be There on Blonde Redhead’s newly formed label Asa Wa KuruNoisey premiered the video for “Time to Be Nowhere”, calling it “as fun and filthily refreshing as a splash fight in warm mud.”  I recorded and mixed this with the group last year (at Seaside Lounge and Doctor Wu’s, respectively; Josh Bonati mastered it), and I’m really happy to see it have a wider release.  Will It Still Be There is available now digitally, and soon on LP – stream it below.

Brooklyn power-pop group MPHO recently released their album Midnight People online.  We recorded it earlier this year at Seaside Lounge (live to tape with additional vocal and synth overdubs), and mixed/mastered it at Doctor Wu’s.  I also recently worked with the group’s singer/songwriter Holly Overton on her second solo EP, which features live drums by Jason Kelly (Future Punx/Fergus & Geronimo) and sax by Ben Jaffe (Pill) – expect that later this year.  Midnight People is available on the group’s Bandcamp page and streaming below.

Stereogum recently premiered “Lazy Coast” by the Spacebomb-affiliated singer-songwriter Andy C Jenkins.  Andy recorded a couple of songs (“Lazy Coast” and the Matthew E. White co-write “Shenandoah”) earlier this year with Justin Frye (PC Worship), which I mixed and mastered.  Buzzy and grooving, the “Lazy Coast” single is out now via Paper Brigade.

The jangly Brooklyn trio Awards Banquet recently released their debut album If Not Now Then Summer.  The record was recorded and co-produced by my good friend Jason Kelly (Fergus & Geronimo/Future Punx), and was mastered by me at Doctor Wu’s.  I love records like this that feel as though you’re flipping through a particularly well-picked record collection… Flying Nun, Velvet Underground, Sparks, and Eno are all great touchstones for this one.  If Not Now Then Summer is out now on Scioto Records.

I recently re-entered the studio with electro-art-pop group Forest Fire.  I co-produced/recorded/mixed their last LP (the still fabulous Screens), and we’ve been working to lay down the foundation for their upcoming fourth album. This batch of songs continues down the path established on Screens –  clever pop songs swathed in grandiose synthesizer arrangements – but trades in some of the anxiety of that record for a lighter/breezier tone.  We’ll be reconvening in the fall to finish overdubs and mix, and I’m already looking forward to it!  I also worked with FF bassist/synth programmer Galen Bremer to record various elements for a score for the new contemporary dance work Archaea for the Evergreens, an immersive performance in The Evergreens Cemetery in Ridgewood, Queens.

Ottawa-based garage rockers Telecomo drove down to record their debut LP with me last month.  We spent a weekend at Seaside Lounge, recording live to 8-track tape, and I mixed and mastered the record at Doctor Wu’s.  They’ve already started a buzz in their hometown based on the strength of their demo and live shows, and I think people are going to love these recordings – raw and driving but extremely memorable rock and roll, and superbly friendly gents to boot!

Outsider country-crooner Dougie Poole and I just finished mixing and mastering his debut album Wide Ass Highway.  Woozy synths and blown-out drum machines anchor these twangy tales of woe, like on the single “Don’t You Think I’m Funny Anymore”.  Dougie will hit the road soon with the equally off-kilter Jerry Paper, and Wide Ass Highway will be coming out on JMC Aggregate.

And I mixed and mastered the new EP by hard-rocking Brooklyn band Tournament.  Jordan Lovelace from the band recorded it (as well as the new record by The Men that I recently mixed/mastered), and we spent a couple days at Doctor Wu’s bringing this thing to life.

I’ve mastered a handful of releases over the past month or so: an immersive improv recording by Alex Zhang Hungtai (Dirty Beaches, Last Lizard), Simon Frank (Hot & Cold), and Austin Milne; a bonkers electronic odyssey by Frattura Waltz (nom de guerre of electronics designer and Eventide associate Joe Waltz); an EP of sweet & sour indie-pop by Antibodies for Don Giovanni Records; a solo guitar/feedback EP by VBA’s Bentley Anderson; and an EP by soulful trio JK Lago called Over There, with the Over There.

I’ve also worked on some mixing and sound-design for films recently –  the surreal dramatic short film Bluebeard by Rachel Garber-Cole and Kimberlee Venable; and a series of advertisements and online shorts featuring undefeated boxer Dusty Hernandez Harrison for FILA, by Christopher Parker, James Petrozzello, and Brenden Beecy.

In other news, I’ve started working with Lysee Webb for management.  Her other clients include Grammy-winning engineer Shawn Everett (Alabama Shakes, Julian Casablancas & the Voidz) and Brian Joseph (Bon Iver, Sufjan Stevens) – I feel in very good company here!  Please write her with any questions concerning rates and scheduling at webb [dot] lysee [at] gmail [dot] com

I’m heading to Hannover, Germany at the end of the week to work with Behave on their debut album at Big House Studios.  If you’re around NYC, come out to Trans Pecos on June 16th for an awesome show – Eaters, Dan Friel, Gold Dime, and New Pope (mem. Oneida, Starring).  Otherwise, see you in a month or two!  Thanks for reading.

Honduras - Rituals

Rituals, the debut album from Brooklyn dream-punk quartet Honduras, is out now on Black Bell Records!  We worked on this record last fall/winter – recording live to 8-track tape in upstate NY at Outlier Inn, and mixing/mastering in Brooklyn at Doctor Wu’s – and were all thrilled with the results.  Brash and immediate, lovely and catchy, the record captures the energy of these songs and finds the group exploring new territory in the process.  Interview Magazine and NME streamed the record, both The Fader and BK Mag ran features on the group, and they’re wrapping up a tour with Oberhofer – go see them in your town!  Re-listening to Rituals now, I remember why I was so excited making this record, and look forward to getting back into the studio with them this winter.  Stream Rituals from one of the links above, and check out album-closer and personal-favorite “Mirror” below:

 

Dan Friel‘s new album Life is out October 16th on Thrill Jockey Records.  I mixed this wild instrumental noise-pop record with Dan earlier this year, and as a fan of both the man and his music, it was a real pleasure to help bring this thing to… well, life.  Fact Mag and Stereogum debuted the first single “Life (Pt.1)”, and NPR premiered “Rattler” in their column “Songs We Love”, throwing in a Sonic Youth comparison for good measure.  The album was mastered by Sarah Register, and “Rattler” is available to stream below.  Also, make sure to check out Dan’s interview and in-studio performance on WNYC’s Soundcheck!

 

Service Industry, the sophomore LP by NYC outre-rock duo Lushes, is also out October 16th, via Felte Records.  I worked with the group to flesh out the recordings with synth arrangements and effect treatments, yielding some interesting results and avenues of exploration.  In addition to the first single “Low Hanging Fruit”, Tiny Mix Tapes and Self-Titled Mag premiered “Circus” and “Rub Your Eyes” (streaming below).  The album was recorded and mixed by Aaron Mullan, mastered by Sarah Register, and features Sam Hilmer (Zs, Diamond Terrifier) and Justin Frye (PC Worship).

 

PC Worship shared the first taste of Basement Hysteria with “My Lens” (via The Fader).  It’s a 13-minute doozy of a track, an example of the more stripped-down and stretched-out vibes from the new EP (which I mixed and mastered this summer).  The group is on tour in Europe now, with NYC dates supporting Panda Bear, Container, and The Men this fall.  Basement Hysteria is out November 13th on Northern Spy.

 

Godmode Records are releasing a series of EPs by their artists entitled You’ve Been Sweating Wrong Your Whole Life, many of which I mastered earlier this year.  Yvette is a NYC electro-noise-rock duo I’ve been a fan of for years, having gotten to know them and sharing the stage with them multiple times, and their new Time Management EP is absolutely ferocious.  Pitchfork and NME featured the single “Calm and Content”, and Noisey and Stereogum hosted streams of the EP in its entirety.

Other releases in You’ve Been Sweating Wrong that I mastered include Hand of God’s Int’l Shipping EP (“trippy MPC house jams”), Fasano’s The Beach EP (“left-field b-boy crooning”), Fitness’ self-titled EP (“freakshow electro”), Soft Lit’s self-titled EP (“3am breakup pop”).  Malory’s self-titled EP is also a part of the series, and was mastered by Stuart Hawkes.  Kudos to label-head and producer Nick Sylvester for his creative sounds and direction on this wide-range of EPs!  Click on each of the above links for a stream and write-up of the release, and head over to Godmode’s store to order the series.

VBA recently issued their debut EP Will It Still Be There.  I worked with the group earlier this year at Seaside Lounge and Doctor Wu’s to record and mix these songs, which push the boundaries of rock into more experimental textures and form.  The group finished vocals and arrangements this summer, and mastered with Josh Bonati.  Stream the album below, and keep an eye out for them around NYC this fall.

 

Fort Lean released their long-awaited debut album Quiet Day last week on Ooh La La/Caroline.  My studio partner Jake Aron plays bass in the band, and I watched as they spent years crafting this album of immaculate indie rock.  The album was recorded and mixed at a variety of studios, including Dreamland (in upstate NY) and Strange Weather (in Brooklyn).  I did additional mixing with Jake at Doctor Wu’s, and the record was mastered by Chris Gehringer.  Check out their series of utterly bizarre videos by Mike Anderson (think Tool meets Beetlejuice), and stream the album sampler below:

 

Humeysha came by Doctor Wu’s to master their self-titled debut LP with me last month.  The Fader premiered the surreal video for the first single “Burma Between You and Me”, a great sampling of the New York via New Delhi sounds on this unique record.  Humeysha is out now on Camp & Street.

 

I also mastered the new Polly Hi album Deceleration at Doctor Wu’s.  The record was produced/recorded/mixed by Andrew Lappin, a regular and friendly presence at the studio.  Fans of Here We Go Magic and Wilco take note – this is spacious, grooving, beautiful stuff.

 

MPHO came into Doctor Wu’s last month to mix and master their new EP T.I.G.H.T..  They’re a new synth-pop group comprised of Mark Perro of The Men/Dream Police, Holly Overton of Juniper Rising/herself, and Russell Hymovitz of Junk Boys/Dream Police.  I’ve worked with these three multiple times, it’s always fun, and it’s been great to watch this project develop over the last year. T.I.G.H.T. is a gritty and gleaming sampler of disco power-pop – check it out!

 

Apart from all that, I’ve spent much of the past couple months focused on Eaters.  We did another run of shows with Shabazz Palaces, including a fantastic home-town show at the Music Hall of Williamsburg (check out these awesome photos by Impose).  Our sound-sculpture Moment of Inertia was featured in both The Creators Project and The Spec, and we’re planning a couple sound/art installations in the new year.  We’ve also been hard at work completing the next full-length – I’m not sure what to say other than I can’t wait to share it with everyone!  In the meantime, Eaters are playing a couple shows around CMJ this month – October 16th @ Cake Shop (Inland Empire Touring showcase w/ Turn to Crime, The Gotobeds, Spray Paint and more) and October 18th @ Silent Barn (Dull Tools/Wild Wild Life party w/ Future Punx, Pill, Beth Israel, and many more) – come hear the new stuff!

Please feel free to reach out if you’d like to talk about sound, and thanks, as always, for reading.

Photo by Coen Rees
Photo by Coen Rees