The Freelancer’s Blues – the sophomore LP from outsider electronic-country troubadour Dougie Poole – is out today via Wharf Cat Records.  Pitchfork called it “both wry and heartfelt, offering a kind of tongue-in-cheek spiritual audit for a modern age”, Flood Magazine marveled at his “knack for wordplay and subtle humor”, while AllMusic describes Dougie as a songwriter who “takes the formal structures of classic country and deliberately bends them into strange new shapes, while leaving the heart, soul, and passion intact, and the melodies strike a weepy bullseye throughout.”  I am particularly proud of this record (which I co-produced/-recorded with Dougie and mixed at Studio Windows) and I could go on & on about working on this LP with Dougie: from conceptualizing it shortly after finishing Wide Ass Highway, to the detailed demos & coded spreadsheets we had for pre-production, to walking around Thailand after basic tracking singing “I Was A Buddhist For A Couple Days” to myself, to the quest for more “Dougie Poolisms” while finishing the LP, and the serendipity of him joining the Wharf Cat family.  The Freelancer’s Blues is out now via Wharf Cat Records and available to stream/download via Bandcamp – do yourself a favor and pick it up!

Dougie Poole – NYC’s outsider country troubadour – has a brand new single called “Los Angeles”.  This is my favorite song from the upcoming record The Freelancer’s Blues – beautiful melodies, an elegant arrangement full of Dougie Poole-isms, and lyrics to which any New Yorker can relate.  I produced and recorded The Freelancer’s Blues with Dougie at Studio Windows, where I also mixed it; Carl Saff mastered the record in Chicago.  You can read more about the song on Ears To Feed, Recommended Listen, and Brooklyn Vegan; stream it below, watch the video, and pre-order on Bandcamp.  The Freelancer’s Blues comes out June 12 on Wharf Cat Records.

NYC country weirdo Dougie Poole is back with the brand-new single “Vaping On The Job,” which premiered today on The FADER.  It’s the first puff of his upcoming sophomore LP The Freelancer’s Blues, which I produced/recorded/mixed at Studio Windows in Brooklyn.  Dougie and I conceived of doing a record like this – more band-oriented and relatively “hi-fi” but keeping all of the “Dougie Poolisms” intact – shortly after completing mixing for his debut Wideass Highway.  It was a long road from conception to completion, but the hard work shines across the album, from the earnest-yet-hilarious lyrics and spirited performances, to the intricate and other-worldly arrangements, to the final mix & presentation.  I’m truly proud of this record, and thrilled to be able to share a bit of it today!

The Freelancer’s Blues is out June 12 via Wharf Cat Records (home of Gong Gong Gong, Public Practice, P.E. and other family faves).  Check out the song & article on the FADER, and take some time to revisit Wideass Highway while you’re at it – “Don’t You Think I’m Funny Anymore” is a stone-cold classic.