So I just wrapped up two weeks straight in the studio with Parquet Courts on their new new album.  It’s madness.  I’ve never worked so hard or gotten in so deep as I did on this one – we really pushed ourselves this time.  They’re back on the road now (at Austin City Limits, then on a European tour with Mazes, who I’ll be working with on their new album next year), and we’ll finish this beast next month.

Their current new EP, Tally All the Things That You Broke is out now! Pitchfork, Rolling Stone, NME, and just about everyone else is praising the EP, and the band packed Music Hall of Williamsburg for their record release show.  Now you can check out this video for “You’ve Got Me Wonderin’ Now” by my buddy Thu Tran.  I’m really excited that this EP is out now – we had a blast working on it, and it’s a great step forward… just wait until you hear the new one.


My friends and associates Forest Fire also got a nice write-up from Pitchfork and played their record release show for their fantastic album Screens.  They also have a new video for the release; bassist Galen Bremer made a creepy psyched-out collage for “Cold Kind”.


Another band I worked with recently also just celebrated their record release: the ever- ferocious Mannequin Pussy!  You can stream their kick-in-the-nuts of an album Gypsy Pervert and check out their tour dates at their bandcamp page. Go see ’em!


And chances are, you may have seen them around town – they played both the Parquet Courts and Mannequin Pussy record release shows – but have you heard the twitchy dance punk of Future Punx on record??  You can now!  Check it out!!


 

In the meantime, I’m working on this.

Thanks for stopping by – please feel free to hit me up at jonathan[dot]schenke[at]gmail[dot]com if you wanna talk sound!

SCREENS Cover

Screens, the new album by Forest Fire, is out now on Fat Cat Records.  I love this record.  Even though I worked really intensely with the band for two months last fall – co-producing, engineering, and mixing the record – I’ve played it over and over leading up to the release, and it still feels new.  I’m seriously proud of this record, and am thrilled that it’s out for everyone to hear.

There’s been some really enthusiastic press for it so far: Bowlegs Music reviewed the album, saying “Both timeless and modern, Screens is a moving record that inspires critical thought and reflection,” and did a hilarious and informative interview with Mark.  7 Bit Arcade and Northern Transmissions both rave about it.  And The 405 writes “After promising so much with their initial releases, Forest Fire have delivered an album that is frequently beautiful, raw and poignant in equal measure. Let it deservedly rocket to the top of your end-year list and, believe me when I say, you’re about to have a new favourite band.”

I was particularly excited when I found out that famed electronic producer Andrew Weatherall debuted “Annie”, maybe my favorite song from the record, on his podcast.  It’s an 11-minute Sister Ray-style psychedelic synth trip, and totally kills.  You can download and stream the whole set – skip to 24:35 to check it out!

The Fuzz's Herbie

The other project-that-I-worked-on-a-while-ago-and-am-psyched-on-people-getting-to-experience debuting this week is The Fuzz!!  It’s a buddy-comedy/crime-drama web series the New York Times calls “clever and oddly exciting.”  My friend Duncan Skiles directed it, and stayed up for almost three days straight at the end of post-production to make it as excellent as it could be (I know this because he was sitting on my couch for a lot of that time!).  Check it out!

I just wrapped up the new single by my buddies Future Punx, which is essentially the last touring incarnation of Fergus & Geronimo minus Andrew, and picks up the agitated interplanetary dance punk of Funky Was the State of Affairs and runs with it.  They recorded it themselves on their Tascam 388, I transferred it to my computer and did overdubs, and mixed and mastered it at my home studio.  I’m suuuuuper psyched on how the songs turned out!  Expect the 7″ soon on Dull Tools.

Herein Wild Cover

I recently completed a remix for my friend Frankie Rose of the song “Sorrow” from her upcoming record Herein Wild.  It’s based around an alternate string arrangement by Grayson Sanders (Snowmine), and was mixed at Doctor Wu’s, with assistance from my boy Yale Yng-Wong (who also recorded the strings).  I don’t know how it’s being released, but I can’t wait for people to hear it!!

Also, I just mixed this “Born in 1928” ad campaign for Cole Haan.  Imagine my surprise when I opened the files and heard Maya Angelou sing!

Thanks for checking out the site!  Please get in touch if you wanna talk sound: jonathan[dot]schenke[at]gmail[dot]com

Tally All the Things That You BrokeI am sooooooo psyched that the new Parquet Courts EP Tally All the Things That You Broke is coming out soon!  October 8th, What’s Your Rupture.  Pitchfork broke the news and debuted the new single “You’ve Got Me Wonderin’ Now” recently.  I can’t wait for people to hear this EP, the sessions were incredible and the recordings turned out so well.  But even more so, I can’t wait to get back into the studio next month to finish the LP!  You guys are gonna flip.

Forest Fire continues to get some well-deserved attention around their upcoming record Screens.  Pitchfork praised the first single “Waiting in the Night” recently, even comparing the sound to Dave Fridmann, thank you very much.  Meanwhile, Stereogum debuted another song, “Alone with the Wires”.  Mark did a pretty cool interview with Ghettoblaster recently, which gave a good insight into the mindset and process of the record.  I really do love this record, and I am so excited for everyone to hear it – I think we made something truly special with this one.  Screens is out September 10th on Fat Cat.

Also coming out around then is The Fuzz!  The series airs September 9th on Yahoo Screen.  It’s about a buddy-comedy/crime-drama about a puppet’s rise through the criminal underworld, selling cocaine to humans and jellybeans to puppets, and the reject human/puppet cop partners who are working to bring him down.  We busted ass over to get this done, and I am thrilled it’s airing soon!  The director Duncan Skiles and I are working on his new film Last of the Great Romantics now… it’s so good.

I recently finished working with Mannequin Pussy, mixing and mastering their new album Gypsy Pervert.  They recorded it at Oscilloscope Studio (the Beastie Boys’ studio!), so it sounded great coming to me, and I threw it through my new Universal Audio 1176s and Studer plugins to get it sounding that much bigger.  We’re all really excited about it – they’ll have cassettes on their tour this October.

I also recently worked with Christine Hoberg, mixing her upcoming record at Doctor Wu’s.  It was fun to get into a real David Lynch-y sonic headspace with these songs.. lots of weird delays and pitch shifting around “singer-songwriter” ballads.  Pretty cool stuff!

Jungle Green recently released an EP called Twelve-and-a-half Minitues of the Most Beautiful Love Songs Ever Written as a free download on his bandcamp page.  It’s a pretty wild ride through love and heartbreak, with some totally skronky outbursts and some tender falsetto.  It was mixed by Paul  de Jong (of the Books) and I mastered it with him at Doctor Wu’s.

Oh!  And I almost forgot – Bob and I finished the new Eaters EP.  It’s called Phantom Selves.  More on that later.

Thank you thank you thank you for taking time to read this, hope you dug some of it.  Feel free to get in touch to talk about sound: jonathan[dot]schenke[at]gmail[dot]com

SCREENS Cover

The new Forest Fire record Screens is coming out September 10th on Fat Cat and is available now to pre-order. I recorded, mixed and co-produced the record with the band last fall, at Tree Time (Fat Cat’s studio upstate), Doctor Wu’s, and my home studio.  It was honestly one of my favorite record-making experiences of my career, and is some of the best sounding work I’ve ever done… no joke.  The first song “Waiting in the Night” and a brief interview is on MTV Hive for you to enjoy.

“She (Was My Baby)”, the second single from the Keepsies, is out now.  The Keepsies are Vince McClelland, Austin Brown (from Parquet Courts), and Jason Kelly (from Fergus & Geronimo).  I recorded some overdubs and mixed these songs last year, so I’m super excited that they’ve hit the web for everyone to enjoy!  Hopefully the third one will come out a bit faster…..


And the entire series of Catherine is now online!  The series was created by Jenny Slate and Dean Fleicher-Camp for the JASH Network (Sarah Silverman, Tim and Eric, Michael Cera, and Reggie Watts’ Youtube channel).  If you haven’t yet ventured down this mind-numbing wormhole of a show, here’s your perfect chance!

I just got back from Chicago, where I mixed the Blue stage at Pitchfork Music Festival.  It’s always nice going back and working with my friends and associates from when I lived out there, and it was extra special to have so many friends playing on my stage… Frankie Rose and her band, Parquet Courts, Chairlift… all slayed.  I rode back in the van with Parquet Courts, which was great to catch up with the gang, and got us all excited to get back into the studio in September to finish the album!

If you wanna talk sound, please write at jonathan.schenke[at]gmail.com.  Thanks for checking out my site!