parquet courts band photo

Light Up Gold has been re-issued on What’s Your Rupture (home of Royal Headache and Iceage), and Parquet Courts have officially blown the fuck up.  I couldn’t be more thrilled – not only did the record turn out better than any of us had imagined, but all four of these guys are amazing people.  The album currently has an 87% rating on Metacritic, including a 5/5 review by the Guardian, a 9/10 in NME, and a host of other glowing reviews. Pitchfork threw their muscle behind the band with a super-positive review and a Rising feature.   Light Up Gold and the first single “Borrowed Time” made their way onto a number of Pitchfork’s year-end staff lists, and eMusic voted the band #1 Band to Watch in 2013 and and the album the #15th Best Album of 2012.

Most humbling of all, the band named ME one of the best things in 2012 in Pitchfork’s year-end Guest List…. I’m blushing now as I type this….   I can’t wait to see what else is in store for these guys this year – we were already thrilled with the work we had done and looking forward to the next one, but now more so than ever.  Hold onto yr butts.

Sweet Talk‘s new album Pickup Lines is out now on Gerald Cosloy’s (of Matador Records and Homestead Records fame) label 12XU.  I was introduced to these guys through the Parquet Courts and Wiccans albums, and mixed the record this past fall.  Think “the best parts of Cheap Trick, early UK power pop and the dual guitar work of Thin Lizzy.”  There’s a video for the song “Last Dance” above, and you can stream the title track over at the label’s Soundcloud page.

I’ve been doing a lot of sound design work recently, working on a feature and a couple shorts, including The Apocalypse by Andrew Zuchero, which just debuted at Sundance Film Festival.  Sundance has shared the short (along with a handful of others) in its entirety, which you can stream above!  It’s been really fun digging into these projects, and while some of the info on the others is still hush-hush, we’re really hoping to be screening and premiering them at festivals soon… I’ll keep you posted!

One of the sound design projects I worked on last year, Reggie WattsA Live in Central Park (for Comedy Central), made it onto Vulture’s Top 10 Stand-Up Specials.  It was a really fun project to work on – the director Duncan Skiles did an amazing job blending all these different elements together – and I hope more people get a chance to see it!

Field II Cover

And one of my favorite records that I worked on last year, Wiccans’ Field II, got some year-end nods as well.  It was Magnet’s #5 Punk/Hardcore Record of 2012 and A.V. Club’s #7 Loud Record of 2012, as well as making Parquet Courts’ Pitchfork Guest-List.  If you haven’t heard this bad boy yet, check it out.

2013 is already shaping up to be an amazing year!  I’ve got a number of exciting projects coming up over the next couple months, and a number of projects I did in 2012 should be coming out soon… I’m seriously excited.  If you wanna get in touch, please just write me at jonathan.schenke[at] – thanks, as always, for reading this!

The first recording I’ve done at the new Doctor Wu’s Studio is now online.  It’s an EP by Bob Jones & the Golden Tones called Remainderman, and you can stream it in its entirety online.  Bob had all these beats and grooves and ideas floating around, so we holed up in the studio for a few days to record and arrange and see what took.  The result is a suite of synth ambience, krauty grooves, and driving post-punk.  I’m really proud of how it came together, both sonically (the gear at Doctor Wu’s is truly gorgeous sounding) and compositionally.  Check it out!

The companion CD for Reggie Watts’ A “Live” in Central Park also recently dropped, and received this excellent review from Consequence of Sound.  I had the good fortune to step in and mix it after the Comedy Central special, and I’m glad that other people enjoyed it as much as me!

The album is a perfect snapshot of an artist at the top of his game. Watts may be a new generation’s Andy Kaufman and Miles Davis rolled into one hyper creative genius; as a result, you’ll be hard pressed to find a more entertaining artist out there.

Woo!  Read the whole thing here:

I just wrapped up mastering the final album by Chicago’s sludge-metal heros Cacaw for Permanent Records.  Bat Skin Robes was recorded last year by Cooper Crain (of Cave and Bitchin Bajas) and is the by far my favorite of their albums.  The band is so intense and powerful live – like an even more warped and damaged Melvins – this is the closest representation I’ve heard.  I scored a cassette version of it last year from Rotted Tooth Recordings, and I’m glad that it’s finally getting a wider release.

I’m currently working on mixing a couple albums by Chicago/Brooklyn band the Keepsies (a collection of amazing Beatles-esque jams that transcend idle worship into something insanely catchy and enjoyable) and Denton-based Wiccans (wild and wooly hardcore rooted in the Germs and Black Flag).  I’m really psyched on both, and can’t wait for people to hear them!

Thanks for checking out this stuff, and I hope you like some of it!  As always, feel free to get in touch, I’d love to chat – jonathan.schenke [at]

NT recently posted their ISNT EP online, for a pay-what-you-like fee!  I mixed it at my personal studio and mastered it at the new studio (man, we really need a name for it already!).  Check it out – it’s some seriously angular and aggressive catchy grunge stuff.

I did some more work on the Reggie Watts special last week, mixing the CD that will come with the DVD.  It’s not often that you get to go back and tweak work you’ve already done, so that was cool.  The special is set to air on Comedy Central May 11th, with the DVD/CD coming out around then too.

Bob Jones and I finished tracking on his solo EP (tentatively titled Bob Jones & the Golden Tones) at the new studio last week before he took off with Frankie Rose for her US tour.  We dug deep into the synths there, and came up with some weird and beautiful sounds.  The EP has a definite vintage krautrock vibe to it, with some serious ambient influences and a touch or two of new wave as well.  I’m mixing it this week, and will hopefully have more details on a release soon.

The new studio is coming along nicely.  Everything is wired and trouble-shot, and we got some new ATC speakers in that sound incredible.  Still working on hanging acoustic treatment, organizing the gear, and drawing up plans for the iso room but the room sounds great, and we’re booking now.  Get in touch if you’d like to come check it out!

As always, thanks for checking this out, and feel free to get in touch: jonathan[dot]schenke[at]gmail[dot]com

I had a busy last couple of weeks, between visiting my family in DC, setting up a new studio and rearranging my personal one, and a buttload of cool work.  As soon as I got back to town, I started mixing a Reggie Watts special from his performance at Central Park last year.  The program cuts between his live show and a series of alternate reality sketches, which are hilarious and add a nice dimension to the whole thing.  Duncan Skiles – who edited the awesome documentary Still Life that I worked on last year – directed this for Comedy Central, which should be airing it sometime later this year.

I’ve also been working on setting up a new studio in Williamsburg with Yale Yng-Wong (who’s worked on records by Dom and Emil & Friends) and Jake Aron (of Fort Lean and Jamie Lidell’s band, working on their records, Yeasayer and Twin Shadow).  We just installed a 32-channel Rupert Neve Designs 5088 board – it’s beautiful!  The preamps (Neve, API, Great River, Germanium, et al), outboard (Distressors, LA-2As, 1176s, Neve & API EQs, et al), and effects (Eventide H3000, Lexcion Prime Time, AMS Delay….) are just as amazing.  I’ve been testing everything out with my good friend Bob Jones (Frankie Rose’s guitarist and ex-Eternal Tapestry bassist), recording his Bob Jones & the Golden Tones EP.  The studio’s coming together, with some acoustic treatment and build-out happening over the next couple of weeks, name and website should be figured out shortly.  Get in touch if you want to check it out!

A couple of things I’ve worked on recently are online now to stream and purchase.  Two songs from my session with Dirty Beaches – the heavy/heady drone of “Dune Walker” and mutant funk “Rhythm Ace Dub” – appeared on a German 7″, which you can check out here:

And my Chicago homeboys Unmanned Ship put their new record For Whom the Bowl Tolls online.  I mastered the LP, which was recorded at the awe-inspiring Electrical Audio.  Check it out:

I also had a few mastering gigs in the past couple of weeks.  Portugese rock transcendentalists Signs of the Silhouette had me master a single, mash-up party dudes White Panda had me master their new record, and I tested things out at the new studio mastering NT‘s new EP.

Thanks for stopping by and reading this!  Please get in touch if you want to chat or come check out the new studio – jonathan[dot]schenke[at]gmail[dot]com