Eaters live

Lots happening since my last update…

Eaters toured the northeast/midwest in October with Lace Curtain and did some non-CMJ shows during CMJ in New York.  We played some great and memorable shows with some great and memorable bands – too many to mention, but special shout outs to Protomartyr (always awesome), Turn to Crime (psyched to be working on a collabo with these guys – Derek, whaddup??), Koko vs Real Life in Montreal (seriously, please record something!), Dull Tools (represent), Big Mama’s House in Philly, my Chicago people, and of course David/Lace Curtain.  Impose posted some photos of our show with Protomartyr at Death By Audio, even sneaking one of man-behind-the-curtain/third-Eater Chris Duffy.

 

Eaters also appeared on Driftless Ambient 1 with an improvised composition titled “Banner of Your Choosing”.  I love how this song came about and turned out, and really happy to be a part of this compilation.  Stream it above, and check out track-by-track details and hear the whole record on Dazed.

For the month before that, I was working with Liturgy on their new record.  It’s an immense record – intricate and beautiful and fucking heavy – and its the culmination of years of work by Hunter, the band, and many others.  I am thrilled to have been a part of this album, and absolutely can’t wait for people to hear it.  We recorded at the illustrious Strange Weather in Brooklyn, with additional recording and production done by my long-time friend and associate Frank Musarra, and mixed at Doctor Wu’s.  I wish I had something from it to share, but I don’t, so just watch this clip of them playing with Peter Fonda on drums instead.

 

Watch WE THE ECONOMY – This Won’t Hurt a Bit on Vimeo.

I do have plenty of other stuff to share though, like this short film by Mary Harron (director of American Psycho and I Shot Andy Warhol) that I sound-designed and mixed.  It’s a part of We the Economy, a series of shorts about the US economy, produced by Morgan Spurlock (Super Size Me) and Paul Allen (co-founder of Microsoft), which screened for free last month and are currently streaming online with supplemental information about the wide variety of topics covered.  Mary’s is called This Won’t Hurt a Bit, and is about the the history and sorry current shape of the American healthcare system.  Bob Balaban, Lili Taylor, and many other familiar faces appear – this was really fun to work on.

 

 

There are several new releases out this week that I worked on as well.  I co-mixed the new Dream Police record Hypnotized with Kyle Keays-Hagerman at Doctor Wu’s in the spring, and it’s out now on Sacred Bones.  Dream Police is Mark and Nick from the Men, and this record veers way off into psychedelia and synth-rock, getting comparisons like “a scuzzy and potent take on that whole Drive soundtrack sound” and “a demented Dire Straits record”.  The record premiered on Pitchfork Advance, and made it into Stereogum’s Heavy Rotation – check it out!

 

 

The new Future Punx EP I’m So Inspired is also out this week via Dull Tools.  Drummer and swell guy Jason Kelly recorded and mixed much of this (with the basics tracked at Rubber Tracks), and we worked at Doctor Wu’s to finish the mixes and master.  It’s got a classic new wave vibe, like some lost classic from the early 80s, hitting all the right notes for people pining for more bands like Devo, the Units, and Tom Tom Club.  Noisey debuted the song “Forgive the Doubt”, and Impose posted the video for “Spike Train”, their track with Parquet Courts on the LAMC series (and which we mastered in the same sessions).  People between NYC and Texas should make a point of checking them out on tour, and people everyone should listen to the EP, streaming above and on sale now.

 

 

Parkay Quarts/Parquet Courts have a new record called Content Nausea out this week as well.  Austin and Andrew recorded and mixed this themselves about six weeks ago (fastest turnaround ever, no big deal), though some work we did together during the Sunbathing Animal/Tally sessions shows up here as well.  I love the detours and explorations they take as “Parkay Quarts“, and it’s cool to see some old favorites re-imagined and find a home alongside some killer new stuff.  Of note is the mastering job by Joe LaPorta at Sterling Sound and how cohesive these recordings made on a 4-track cassette, on an 8-track reel-to-reel, in Ableton sessions, and from a karaoke jam sound together.  Awesome all around – check it out above, out now on What’s Your Rupture/Rough Trade.

Lots more happening now – thanks for reading!

Mazes - Wooden Aquarium

Two very different but equally exciting records that I worked on drop this week – Wooden Aquarium by the British band Mazes and Social Rust by Brooklyn’s own PC Worship.  I love the way both of these records sound and I love both of these bands, so it’s wonderful to see so many reviews remarking on the sonic quality and calling them both the best of each band’s work.

I produced the Mazes record this past February, recording it upstate at the Fat Cat studio and mixing it at Doctor Wu’s over the course of two weeks.  It was a crazy bonding experience – everyone jet-lagged (I had just got back from Australia), the rental van getting robbed outside my apartment (my bag with my laptop, hard drives, camera – gone), getting snowed in upstate and digging our way up to the studio – and I think that intensity and camaraderie really comes across.  DIY Magazine has been all over Wooden Aquarium, with a glowing review, an interview with Jack Cooper, and a track-by-track stream and guide; NME gave it a 8/10 review; and it was BBC Radio 6’s Album of the Day last week.  Alan Douches did a great job on the master – this record sounds incredible.  Wooden Aquarium is out now on Fat Cat Records.

PC Worship - Social Rust

Social Rust is just nuts.  I mixed and mastered the thing so I’ve probably heard it more times and more in depth than anyone aside from lead-worshipper Justin Frye, and there are things that still catch me by surprise.  This record sounds unlike any other record I’ve ever worked on – a mud-and-blood spattered, moth-eaten tapestry of absurdity – and I love it.  Ad Hoc interviewed Justin about the record, and Impose Magazine raved: “Social Rust is PC Worship at their very best, even if their best is dissonant and unsettling, voyeuristic and creepy, maniacal and rapturous. Maybe it’s a reflection of the times, or maybe it’s just a good record. Either way, listen to it and lose yourself a little.”  I couldn’t agree more.  Social Rust is out now on Northern Spy / Dull Tools.

Also out this week is the re-release of Mannequin Pussy’s Gypsy Pervert, re-mastered and re-sequenced on vinyl for the first time.  I mixed this with them last year, and it’s killer – I’m really psyched to see it getting another life.  Check out this interview they did with Impose recently, and go see them when they come through your town soon.  Gypsy Pervert is out now on Tiny Engines.

And out next week (September 16th) is the newest single in Famous Class Records’ LAMC series (#13) – Parquet Courts b/w Future Punx.  It’s kinda like the return of Fergus & Geronimo…  “This is Happening Now” was recorded during the Sunbathing Animal sessions and mixed this summer, “Spike Train” was recorded and mixed by Jason Kelly, and I mastered both sides.  All proceeds go to VH1 Save the Music – a non-profit dedicated to music education in public schools.

Parquet Courts also recently released a music video for “Bodies Made Of” recorded live at their show at Sugar Hill Supper Club this summer, and directed by Iain Forsyth and Jane Pollard (whose amazing Nick Cave pseudo-doc 20,000 Days on Earth comes out later this month).  I recorded, mixed, and mastered this bad boy too.

I recently went on a road trip to Cleveland to see the opening of the new university center at Case Western Reserve University, which houses Welcome to Cleveland, a new interactive installation I worked on with Thu Tran, Ivan Safrin, and Bobo Do.  It was incredible to see and hear our work in the space, and surreal to be back on my old campus and honored at the opening.  Check out that photo below for an idea of what I’m talking about (that game on screen is inspired by the 1986 Balloon Fest, where your head controls a helicopter and you try to pop as many balloons as possible).  The games were as completely silly and weird in real life as we had hoped, so it was extra exciting to get to work with Thu, Ivan and Bobo on a new game this month.  I’m sure more will be announced about it soon, but it’s even sillier and even weirder than the others.

Welcome to Cleveland

I also had the opportunity this past month to do some sound design and mixing for Mary Harron (director of American Psycho, I Shot Andy Warhol, and The Notorious Bettie Page).  The short film is part of an upcoming series about the US economy produced by director Morgan Spurlock and Microsoft co-founder Paul Allen, and is a black comedy about the healthcare system.  It was fantastic to be a part of this project, and hey – I learned something too!  The New York Times ran a story about the series, which airs this fall.

I’ve been doing more mastering recently as well, working on a split EP with Tonstartssbandht and Hot & Cold, finishing up the Beech Creeps record from this summer, and mastering a single by Von Hack.

And while I’ve been doing a lot of post-production this month, I did get a chance to break out the MX-5050 with the band Pocket Hercules down at Seaside Lounge.  The tracks sound cool, we’ll be mixing in a couple weeks at Doctor Wu’s.

Eaters have been keeping busy too.  We have a show this Saturday (September 13) with Survive from Austin, TX, an incredible band live by all accounts – get your tickets and come on out!  We’ve got some new material coming out this month, including a track on the newly-announced Driftless Ambient 1 compilation.  And more shows soon, including a tour with Lace Curtain (a Total Control/Rat Columns offshoot) and some CMJ shows.