Hi everyone, long time no post.  I’ve been in the studio and/or traveling over the past few months… here’s an attempt to catch up:

NYC scuzz-rockers The Men have announced their upcoming album Devil Music.  They recorded it live in their practice space with Jordan Lovelace (of Pampers and Tournament), and we mixed/mastered it at Doctor Wu’s this spring.  It’s a rawkus return to form for these guys – fans of the early albums should be psyched!  Noisey premiered the first single “Lion’s Den” and asked some questions of guitarist/singer Nick Chiericozzi – check it out!  Devil Music is out November 11th on We Are The Men.

Australian dark-wave artist Buzz Kull premiered “Tomorrow’s Ghosts” on Noisey.  It’s the new single from the upcoming album Chroma, which I co-produced/mixed/mastered this LP long-distance over the course of a year or so.  Buzz Kull is supporting The Soft Moon on their Australian tour this fall – a perfect fit.  Chroma is out soon via Stellar Kinematics.

On the Eaters front: Our remix of Parquet Courts’ “Human Performance” was released as a single, and the Performing Human EP is out now on Rough Trade.  Parquet Courts has also invited us to create an installation at the Knockdown Center in Queens, NY on December 10th – tickets are on-sale now, and more information is available here.  And our new LP will be out in Spring 2017 – we’re finishing art and masters now.

New releases available now:

  • Parquet Courts – Performing Human EP (in addition to the Eaters remix, I mixed the ‘Dreamland Version’ of the song and mastered the EP)
  • Kel Valhaal – New Introductory Lectures… (Hunter Hunt-Hendrix from Liturgy’s solo electronic project, which I mixed and recorded vocals at Doctor Wu’s – check out his interview with Paper Mag)
  • A couple records by Alex Zhang-Hungtai, formerly Dirty Beaches: Ancora, a live improvisational recording with David Maranha and Gabriel Ferrandini on Grain of Sound (which I mixed and mastered) and Knave of Hearts, a collection of drones and solo-piano on Ascetic House (which I mastered)
  • Holly Overton – The Split EP (the MPHO singer/songwriter backed by Jason Kelly from Fergus & Geronimo/Future Punx and Ben Jaffe from Pill.  I recorded/mixed/mastered this earlier this year)
  • Brian Chillemi – I Went to Town EP (Junk Boys/Organs singer/songwriter goes solo, check it out on Impose or on cassette via Time Castle Recordings.  I mastered this.)
  • AntibodiesVessels EP (Brooklyn indie duo via Don Giovanni, mastered at Doctor Wu’s)
  • Alex Rose – Grandmothers/Coattails (Austin folkie, produced by House of Feelings, mastered by me)

Film-wise:

I recently did an interview with the podcast The Stonehall Sessions.  The host Riley had done quite a bit of listening to my back-catalogue, and we had a great talk about recording and the creative process.  The title about sums it up perfectly: “Work on it Until You Don’t Want to Work on it Anymore”

I spent a couple weeks in Germany this summer working on a record with the group Behave.  Their music is catchy, creative, and grooving rock – fans of classic 10cc, kraut rock, and the Captured Tracks roster take note! We recorded to a Studer A800 using a bunch of vintage Neumann and AKG mics, and the results sound amazing.  I’m putting the finishing touches on the mixes now, so hopefully this record will be out early next year.

Shortly after returning, I began working with The Drums on their new LP.  Their previous releases had been performed and recorded almost entirely by band-leader Jonny Pierce, but he wanted to try things a bit differently this time.  We took his original sessions, recorded live drums (at Thump), and spent a month at Doctor Wu’s adding to/replacing/re-arranging/mixing the record.  I am immensely proud of the work we did – it’s a beautiful, imaginative, and immediately memorable collection of songs.  Joe LaPorta will be mastering it at Sterling Sound, and it should be out in Spring 2017.  I can’t wait for people to hear it.

Last week, I worked with the Brooklyn buzz-band The Britanys on their debut EP.  Their early singles were home-recorded and mixed by Gordon Raphael (of Is This It fame), and the group has already gained an eager following from publications like NME (who premiered a video while we were in the studio).  We spent a few days at Seaside Lounge recording to 8-track tape, and mixed and mastered at Doctor Wu’s.  Expect to hear a lot more soon.

And in between all of this, I mastered a couple of records: a brilliantly damaged new LP by PC Worship for Northern Spy; and a go-for-broke gonzo rock record by The Tills from North Carolina.  Both are excellent, and should hopefully be out sooner rather than later.

Oh!  And Eventide‘s TVerb (for which I was I was a consultant and alpha tester) was just nominated for a TEC Award!  I’m working with Eventide on some other software and gear now… super exciting stuff.

Thank you for reading – if you’d like to talk about sound, please write jonathan [dot] schenke [at] gmail [dot] com

The new album from psychedelic sextet Cloud Becomes Your Hand – Rest in Fleas – is out now on Northern Spy Records.  The Wire streamed the album in full leading up to the release, characterizing their music as “spanning Cantebury psych and the angular agitation of Oingo Boingo and early Devo.”  The group also released a trippy/drippy video for album-opener “Hermit”, which was featured on Stereogum (“as idiosyncratic as they are entertaining”) and Impose (“full of energy… their wayward bent is hard to resist”), and is streaming below.  I’m delighted to have mixed and mastered this incredible record – definitely check it out, and don’t miss out on seeing them live either!

“Busted pop” group Honey Radar recently released their new LP Blank Cartoon.  In addition to the pre-release buzz on Pitchfork and Noisey, the album has received glowing reviews from Tiny Mix Tapes (“a continuous stream of melodic consciousness where songs can expand from a few seconds of an idea into a nearly 4 minute single just as tightly wound and bombastic as those seedlings”) and AllMusic (“[Jason] Henn’s crack hand at melodies keeps listeners on the edges of their chairs waiting for the next one to come along”), with even USA Today naming “Caterpillar” one of the best songs of the week.  It was a pleasure to master this album – Jason’s an old friend and his music continues to amaze and entertain… I can’t wait to hear what they’re working on next!  Blank Cartoon is out now on What’s Your Rupture, and you can stream it below.

Kel Valhaal – the new solo project from Liturgy‘s Hunter Hunt Hendrix – recently announced the debut album New Introductory Lectures On The System of Transcendental Qabala.  Consequence of Sound, Tiny Mix Tapes, and THUMP featured the first single “Tense Stage”, which “burns and punishes like Liturgy, but through twitchy, gritty electronics” (COS).  I worked with Hunter on this record at the beginning of the year, recording vocals and mixing the songs at Doctor Wu’s, and I’m excited to see/hear him stretching out from the palette and preconceptions of Liturgy.  For more insight into the ideas and philosophy behind these projects, check out this new interview in THUMP.  New Introductory Lectures is out July 15 on Hunter’s new label YLYLCYN – preorder it here and stream “Tense Stage” below.

NYC trio VBA recently released their scuzzy art-rock EP Will It Still Be There on Blonde Redhead’s newly formed label Asa Wa KuruNoisey premiered the video for “Time to Be Nowhere”, calling it “as fun and filthily refreshing as a splash fight in warm mud.”  I recorded and mixed this with the group last year (at Seaside Lounge and Doctor Wu’s, respectively; Josh Bonati mastered it), and I’m really happy to see it have a wider release.  Will It Still Be There is available now digitally, and soon on LP – stream it below.

Brooklyn power-pop group MPHO recently released their album Midnight People online.  We recorded it earlier this year at Seaside Lounge (live to tape with additional vocal and synth overdubs), and mixed/mastered it at Doctor Wu’s.  I also recently worked with the group’s singer/songwriter Holly Overton on her second solo EP, which features live drums by Jason Kelly (Future Punx/Fergus & Geronimo) and sax by Ben Jaffe (Pill) – expect that later this year.  Midnight People is available on the group’s Bandcamp page and streaming below.

Stereogum recently premiered “Lazy Coast” by the Spacebomb-affiliated singer-songwriter Andy C Jenkins.  Andy recorded a couple of songs (“Lazy Coast” and the Matthew E. White co-write “Shenandoah”) earlier this year with Justin Frye (PC Worship), which I mixed and mastered.  Buzzy and grooving, the “Lazy Coast” single is out now via Paper Brigade.

The jangly Brooklyn trio Awards Banquet recently released their debut album If Not Now Then Summer.  The record was recorded and co-produced by my good friend Jason Kelly (Fergus & Geronimo/Future Punx), and was mastered by me at Doctor Wu’s.  I love records like this that feel as though you’re flipping through a particularly well-picked record collection… Flying Nun, Velvet Underground, Sparks, and Eno are all great touchstones for this one.  If Not Now Then Summer is out now on Scioto Records.

I recently re-entered the studio with electro-art-pop group Forest Fire.  I co-produced/recorded/mixed their last LP (the still fabulous Screens), and we’ve been working to lay down the foundation for their upcoming fourth album. This batch of songs continues down the path established on Screens –  clever pop songs swathed in grandiose synthesizer arrangements – but trades in some of the anxiety of that record for a lighter/breezier tone.  We’ll be reconvening in the fall to finish overdubs and mix, and I’m already looking forward to it!  I also worked with FF bassist/synth programmer Galen Bremer to record various elements for a score for the new contemporary dance work Archaea for the Evergreens, an immersive performance in The Evergreens Cemetery in Ridgewood, Queens.

Ottawa-based garage rockers Telecomo drove down to record their debut LP with me last month.  We spent a weekend at Seaside Lounge, recording live to 8-track tape, and I mixed and mastered the record at Doctor Wu’s.  They’ve already started a buzz in their hometown based on the strength of their demo and live shows, and I think people are going to love these recordings – raw and driving but extremely memorable rock and roll, and superbly friendly gents to boot!

Outsider country-crooner Dougie Poole and I just finished mixing and mastering his debut album Wide Ass Highway.  Woozy synths and blown-out drum machines anchor these twangy tales of woe, like on the single “Don’t You Think I’m Funny Anymore”.  Dougie will hit the road soon with the equally off-kilter Jerry Paper, and Wide Ass Highway will be coming out on JMC Aggregate.

And I mixed and mastered the new EP by hard-rocking Brooklyn band Tournament.  Jordan Lovelace from the band recorded it (as well as the new record by The Men that I recently mixed/mastered), and we spent a couple days at Doctor Wu’s bringing this thing to life.

I’ve mastered a handful of releases over the past month or so: an immersive improv recording by Alex Zhang Hungtai (Dirty Beaches, Last Lizard), Simon Frank (Hot & Cold), and Austin Milne; a bonkers electronic odyssey by Frattura Waltz (nom de guerre of electronics designer and Eventide associate Joe Waltz); an EP of sweet & sour indie-pop by Antibodies for Don Giovanni Records; a solo guitar/feedback EP by VBA’s Bentley Anderson; and an EP by soulful trio JK Lago called Over There, with the Over There.

I’ve also worked on some mixing and sound-design for films recently –  the surreal dramatic short film Bluebeard by Rachel Garber-Cole and Kimberlee Venable; and a series of advertisements and online shorts featuring undefeated boxer Dusty Hernandez Harrison for FILA, by Christopher Parker, James Petrozzello, and Brenden Beecy.

In other news, I’ve started working with Lysee Webb for management.  Her other clients include Grammy-winning engineer Shawn Everett (Alabama Shakes, Julian Casablancas & the Voidz) and Brian Joseph (Bon Iver, Sufjan Stevens) – I feel in very good company here!  Please write her with any questions concerning rates and scheduling at webb [dot] lysee [at] gmail [dot] com

I’m heading to Hannover, Germany at the end of the week to work with Behave on their debut album at Big House Studios.  If you’re around NYC, come out to Trans Pecos on June 16th for an awesome show – Eaters, Dan Friel, Gold Dime, and New Pope (mem. Oneida, Starring).  Otherwise, see you in a month or two!  Thanks for reading.

In fall 2014, Parquet Courts and PC Worship toured together in Europe, playing individual sets as well as a collaborative set under the name PCPC.  They wrote a bunch of new material specifically for these shows, loose and noisy tunes that drew influences from both camps.  Their performance at Ramsgate Music Hall in Kent, England was captured, and with no studio recording, it is the only document of this project.   I mixed and mastered it with members of the group last summer, and the performance is now available on LP and digital download via Dull Tools.  Check out my jam “I Know (You)” below, or head over the Dull Tools Bandcamp page to pick up a copy for you and your friends.

Shortly after their tour supporting their debut LP Rituals, I went back into the studio with Honduras to work on a new EP called Gathering Rust.  We recorded the tracks at Thump Studios in Brooklyn and mixed/mastered at Doctor Wu’s this winter, and these new songs show the band building upon the strengths of the LP and their time on the road.  NME debuted the first single “Hollywood”, and the follow-up “That Old Feeling” recently hit The Fader.  The Gathering Rust EP is out this week, and the band is currently on the road with Sunflower Bean on their way down to SXSW.  Check out “Hollywood” below:

I spent some time in the studio last fall with Jordan Bernstein (of PC Worship and the Dreebs) to help bring his new project Jordonna into focus.  It’s a far cry from the damaged noise rock of either of those groups, focusing instead on trap beats, prepared guitar, and male/female rapping/singing.  Far out stuff, for sure.  Jordan, along with Marilu Donovan and Heidi Beth Ferrell, recently released the debut LP The Wallet in its entirety via Soundcloud, along with some videos and live performances.  Stream the video for “Mad Dog” below, and visit the Jordonna Soundcloud page to stream the album in full.

Bronze Float recently released their second LP Standard Final Candle.  Led by David Brant, the personnel on the record includes many of my old friends from the rotating Elephant Micah/Vollmar/Honey Radar crew.  I mixed and mastered this record with David back in 2014, and it’s a pleasure to be able to share these tender, beautiful recordings with the public.  Fans of Arthur Russell’s album Love is Overtaking Me, Sebadoh’s more reined-in moments, and Skip Spence will find much to enjoy here.  The limited-edition hand-cut LP is already sold out, but you can download and stream the album via Third Uncle.

Eaters – my project in collaboration with Bob Jones (music) and Christopher Duffy (visuals) – created a sound and light installation at Machines in Magnets (in Pawtucket, RI) in January/February.  The show included our prepared-turntable sound sculpture Moment of Inertia, as well as a new sound sculpture (a modification of the Ring sculpture from our live show) and a series of light objects that Chris made based on and inspired by his work for our performances.  It was an amazing experience to see some new ideas come to fruition and to transform a space like that.  We’re planning a NYC installation now – more news when we get it.  In, other news: we finished our new record!  Come see us April 28th at the Marlin Room at Webster Hall (with Suuns and John Congleton) to hear some new songs, and check out the video for Moment of Inertia below.

I’ve recently been working with Hunter Hunt-Hendrix from Liturgy on his new solo project, Kel Valhaal.  In many ways, the project picks up where The Ark Work left off minus the “band” aspects, with the sound palette focused on abstract electronics, pitched kicks, glitch edits, and the “uncanny valley” of quasi-realistic instrumentation.  We did vocal recording (though the record is largely instrumental) and mixing at Doctor Wu’s over the past couple months, and are wrapping up the master now.  It’s a rich and unique sound, and am excited for people to hear this soon.

I’ve also been working on the new Fucked Up EP Year of the Snake, the latest installment of their Zodiac series.  I recently mastered their tracks for the A-side and B-side (as epic as you’d expect!), and am waiting on a couple of remixes to complete the release.  Expect it later this year on What’s Your Rupture.

Additionally, I’ve been on new records by MPHO (now a quartet with a live drummer), Ice Balloons (featuring members of TV on the Radio and Wild Yaks), and Buzz Kull (whose singles “Dreams” and “Nausea” I’ve previously mixed).  I’ll be wrapping up each of these (very different but equally interesting) releases in the next month, and will write more about them next time.

As always, thanks for reading, and please feel free to reach out if you’d like to talk about sound.  All the best, Jonny.