Happy New Year everyone!  It’s been a while since I’ve updated the site – it was crazy end to 2016…

My group Eaters put together an installation of sound and light sculptures at Knockdown Center in December.  Entitled Eyes Have Brightened, the exhibition opened as part of the massive Parquet Courts event (where I mixed their set as well) and was up through the end of the season.  From the statement:

Building on the visual and sonic vocabulary of their unique live music performances, the show features sound and light sculptures and immersive installation elements by Christopher Duffy. This will be the New York premiere of their performative sound sculpture ‘Moment of Inertia’, and will feature a new soundtrack for the installation composed by Bob Jones and Jonathan Schenke.

eaters_knockdown_center_2016_05_photo_steven_probert
‘Eyes Have Brightened’ installation shot, photo by Steven Probert

At Chris’ suggestion, Bob and I spent a few days making some improvised, beat-less instrumental music for the installation.  Prisms, the resulting soundtrack album, was featured on Brooklyn Vegan and AdHoc, who called it “transportive… full of minimalist tones, Prisms oscillates between hopeful and buoyant swells to eerie and confounding synths.”  Prisms is streaming below, and available to download from Bandcamp.

Tangentially, I was featured in an Eventide video, where I discussed their new TEC Award-nominated plugin TVerb.  I was a consultant and “alpha-tester” for the plugin (which is inspired by Tony Visconti’s recording techniques employed on David Bowie’s “Heroes”), and used it throughout the mixing of the upcoming sophomore Eaters LP (due this spring on Dull Tools).  Check out the video on Eventide’s Facebook page.

NYC psych-punks The Men released their sixth album Devil Music in November.  The back-to-basics LP was recorded live-to-tape in their practice space by Jordan Lovelace (of Pampers and Tournament), and I mixed/mastered it at Doctor Wu’s with the group last spring. Many reviewers have used terms like “raw”, “caustic”, “cathartic”, and “primal” – all of which are apt descriptions for this awesome show of force.  Devil Music is available on LP/download now via We Are The Men/Sacred Bones, and is streaming below.

Speaking of Tournament, the rawk-n-rollers released their new EP Take The Wheel via Colonel Records in October.  Also tracked live-to-tape by Jordan and mixed/mastered by me with the band at Doctor Wu’s, the EP is six songs of rowdy good-times.  As Noisey put it: “there is nothing more true to the spirit of rock ‘n’ roll—as it was originally intended, that is—as playing your heart out in a garage as if it were a packed, smoke-filled arena.”  Take The Wheel is available now on LP, cassette and download via Colonel Records, and is streaming below.

Shop Talk‘s self-titled debut was released on LP last fall as well.  The group plays a kind of melodic, slightly twangy, classic “punk” – instantly recognizable yet completely its own thing.  Kyle Keays-Hagerman tracked the band at his studio and I recorded the vocals and mixed/mastered it at Doctor Wu’s, wrapping it up back in 2015.  The band (featuring members of Queening, Liturgy, and Pygmy Shrews) has done a couple tours and a bunch of local shows since then, and has been covered in The Deli and Brooklyn Vegan, so it’s awesome to see this get a proper pressing.  Shop Talk is out now on Brainbox Records and is streaming below.

I worked with Operator Music Band on their debut full-length Puzzlephonics I & II in October.  They’re a Brooklyn quartet who create electronic pop songs around relentless motorik grooves with tag-team male/female vocals.  Dara Hirsch (one of the singer/guitarist/synth players) recorded the songs at Gravesend Recordings (in the Silent Barn), and we mixed and mastered it at Doctor Wu’s.  The album will be out later this year on New Professor Music – in the meantime, take the opportunity to check out their single Materielmusik, go see them live (a real treat!), or pick up one of the pedals made by Jared Hiller (the other co-singer/guitarist/synth player) and his company L0/Rez…the Mona Lisa Overdrive is one of the most insane things I’ve plugged in!

In November, I mixed and mastered the new record by Tica Douglas, entitled Our Lady Star of the Sea, Help Us and Protect Us.  Tica’s last record Joey was featured in Pitchfork, Impose, and other zines, and this new one was recorded by Ryan Dieringer (who co-produced Joey as well) in various locations upstate.  I really admire the ambition of this record – which shifts from intimate, singer/songwriter moments to densely-packed arrangements featuring horns, synths, and a rocking band – and I had the songs stuck in my head for weeks.  Our Lady Star of the Sea will be out later this year on Team Love Records.

I also mastered a few singles at the end of the year: The Tills’ “I Don’t Wanna Be Here Blues” (which has a killer video, and whose upcoming album Shannin I mastered last year as well), Dark Tea’s “Providence Sky” (a side project of Gary Canino of the band Rips – check the Impose feature and accompanying video too), and a pair of singles by Brian Chillemi and his band Junk Boys.

Video-wise: In and Out of Control, a short film by Emir Eralp featuring a score by Eaters, has continued to receive wide acclaaim, winning accolades in Istanbul, Berlin, London, and other festivals around the world.  And Hospital Head Doctor – a short film by Dean Fleischer-Camp and Jenny Slate (of Marcel the Shell, Catherine, and other projects) which I sound-designed and mixed back in 2015 – was recently released and awarded a Vimeo Staff Pick.  Watch it below.

Coming out next month: new releases by PC Worship, Turn to Crime, Dougie Poole, The Britanys!

Thanks for reading.  Please feel free to write me at: jonathan [dot] schenke [at] gmail [dot] com.

 

Hi everyone, long time no post.  I’ve been in the studio and/or traveling over the past few months… here’s an attempt to catch up:

NYC scuzz-rockers The Men have announced their upcoming album Devil Music.  They recorded it live in their practice space with Jordan Lovelace (of Pampers and Tournament), and we mixed/mastered it at Doctor Wu’s this spring.  It’s a rawkus return to form for these guys – fans of the early albums should be psyched!  Noisey premiered the first single “Lion’s Den” and asked some questions of guitarist/singer Nick Chiericozzi – check it out!  Devil Music is out November 11th on We Are The Men.

Australian dark-wave artist Buzz Kull premiered “Tomorrow’s Ghosts” on Noisey.  It’s the new single from the upcoming album Chroma, which I co-produced/mixed/mastered this LP long-distance over the course of a year or so.  Buzz Kull is supporting The Soft Moon on their Australian tour this fall – a perfect fit.  Chroma is out soon via Stellar Kinematics.

On the Eaters front: Our remix of Parquet Courts’ “Human Performance” was released as a single, and the Performing Human EP is out now on Rough Trade.  Parquet Courts has also invited us to create an installation at the Knockdown Center in Queens, NY on December 10th – tickets are on-sale now, and more information is available here.  And our new LP will be out in Spring 2017 – we’re finishing art and masters now.

New releases available now:

  • Parquet Courts – Performing Human EP (in addition to the Eaters remix, I mixed the ‘Dreamland Version’ of the song and mastered the EP)
  • Kel Valhaal – New Introductory Lectures… (Hunter Hunt-Hendrix from Liturgy’s solo electronic project, which I mixed and recorded vocals at Doctor Wu’s – check out his interview with Paper Mag)
  • A couple records by Alex Zhang-Hungtai, formerly Dirty Beaches: Ancora, a live improvisational recording with David Maranha and Gabriel Ferrandini on Grain of Sound (which I mixed and mastered) and Knave of Hearts, a collection of drones and solo-piano on Ascetic House (which I mastered)
  • Holly Overton – The Split EP (the MPHO singer/songwriter backed by Jason Kelly from Fergus & Geronimo/Future Punx and Ben Jaffe from Pill.  I recorded/mixed/mastered this earlier this year)
  • Brian Chillemi – I Went to Town EP (Junk Boys/Organs singer/songwriter goes solo, check it out on Impose or on cassette via Time Castle Recordings.  I mastered this.)
  • AntibodiesVessels EP (Brooklyn indie duo via Don Giovanni, mastered at Doctor Wu’s)
  • Alex Rose – Grandmothers/Coattails (Austin folkie, produced by House of Feelings, mastered by me)

Film-wise:

I recently did an interview with the podcast The Stonehall Sessions.  The host Riley had done quite a bit of listening to my back-catalogue, and we had a great talk about recording and the creative process.  The title about sums it up perfectly: “Work on it Until You Don’t Want to Work on it Anymore”

I spent a couple weeks in Germany this summer working on a record with the group Behave.  Their music is catchy, creative, and grooving rock – fans of classic 10cc, kraut rock, and the Captured Tracks roster take note! We recorded to a Studer A800 using a bunch of vintage Neumann and AKG mics, and the results sound amazing.  I’m putting the finishing touches on the mixes now, so hopefully this record will be out early next year.

Shortly after returning, I began working with The Drums on their new LP.  Their previous releases had been performed and recorded almost entirely by band-leader Jonny Pierce, but he wanted to try things a bit differently this time.  We took his original sessions, recorded live drums (at Thump), and spent a month at Doctor Wu’s adding to/replacing/re-arranging/mixing the record.  I am immensely proud of the work we did – it’s a beautiful, imaginative, and immediately memorable collection of songs.  Joe LaPorta will be mastering it at Sterling Sound, and it should be out in Spring 2017.  I can’t wait for people to hear it.

Last week, I worked with the Brooklyn buzz-band The Britanys on their debut EP.  Their early singles were home-recorded and mixed by Gordon Raphael (of Is This It fame), and the group has already gained an eager following from publications like NME (who premiered a video while we were in the studio).  We spent a few days at Seaside Lounge recording to 8-track tape, and mixed and mastered at Doctor Wu’s.  Expect to hear a lot more soon.

And in between all of this, I mastered a couple of records: a brilliantly damaged new LP by PC Worship for Northern Spy; and a go-for-broke gonzo rock record by The Tills from North Carolina.  Both are excellent, and should hopefully be out sooner rather than later.

Oh!  And Eventide‘s TVerb (for which I was I was a consultant and alpha tester) was just nominated for a TEC Award!  I’m working with Eventide on some other software and gear now… super exciting stuff.

Thank you for reading – if you’d like to talk about sound, please write jonathan [dot] schenke [at] gmail [dot] com