NYC noise-punks turned industrial-rivetheads Pop. 1280 are back with a new single, new LP, and new label! Stereogum premiered “Noncompliant”, the first single from Museum On The Horizon – an album that continues the metamorphosis from rock into electronic sounds. I co-produced, recorded, and mixed the record with the group at Studio Windows over the winter…. it was one of my first in-person sessions after having to work remotely last year, and we fully dug into the studio process. Every drum machine and synth were synced – resulting in happy accidents and completely bizarre sounds – and we experimented heavily with processing (guitars through synths, synths through amps, everything through something else), resulting in something that feels very LIVE while leaning into the beats & grooves. Josh Bonati mastered Museum On The Horizon, which comes out September 24 via Profound Lore. Check out “Noncompliant” below, and order a copy on Bandcamp!
DC-based off-kilter punk trio BRNDA just released “Perfect World”, the first single from their upcoming album Do You Like Salt? FLOOD Magazine premiered the track, calling it “a throbbing, slice of motorik post-punk that… manages to marry quirk and danceability.” The album was recorded at White Oak Studios in Washington, DC by Justin Moyer, and I mixed & mastered it last year at Studio Windows. Check out the song below, and you can pre-order the LP on their Bandcamp. Do You Like Salt? is out August 20 via Crafted Sounds.
Phantom Rhythm Remixed – the new remix album of songs by Chinese/Canadian guitar-and-bass duo Gong Gong Gong – is out now! After being featured in Resident Advisor, Exclaim gave it 8/10 (“fold[s] musical styles across borders of every kind”) and Vinyl District gave it an ‘A-‘ (“An LP as fun as it was unexpected”). Featuring reinterpretations by Yu Su, Howie Lee, and other rising stars from China and abroad, this collection plays more like a well-curated compilation than a classic “remix record”. In addition to producing/recording/mixing the original record, I worked with my group P.E. to rework the single “Ride Your Horse” into what Exclaim describes as “a roaming free-jazz chariot ride through resonant piano chords that dangle over snapping percussion.” Head over to Bandcamp to pick up your own copy, check out the video below, and stream the whole album on your favorite platform. Phantom Rhythm Remixed is out now via Wharf Cat Records & bié.
“Big Appetite” is the newest single from surrealist electronic-rock project Liars and their upcoming tenth album The Apple Drop. The single and its whirling video was featured in Rolling Stone, NME, Stereogum and more. This is one of my favorite songs on the record – more “rock” than their previous few records, but still in the grandiose sci-fi world-building of this new album – and one of the most time-consuming to “get right” in the mix… but I enjoyed every minute of it. The Apple Drop was recorded at Oceanic Studio with Laurence Pike and Cameron Dyell, and at home by Angus Andrew; I mixed and offered additional production for the record at Studio Windows, and it was mastered by Lachlan Carrick at Moose Mastering. The Apple Drop is out August 6 via Mute Records.
Louisville-based weirdo-pop trio Wombo released their newest Keesh Mountain EP today. Check out this feature on Ears To Feed, track reviews on Post Trash (“one of the more exciting new bands we’ve come across this year”) and Alt Citizen, and videos below. I mixed two songs – lead single “Dreamsickle” and “Just Like Time” – and mastered all four earlier this year at Studio Windows. Keesh Mountain is out now digitally and on cassette courtesy of Fire Talk Records.
Liars are back with “Sekwar”, the first single from their upcoming album The Apple Drop. The track premiered on Marc Riley’s BBC6 Radio show, and was featured across Pitchfork, Stereogum, Rolling Stone, NME and more. I had the pleasure of meeting Angus through his remix of P.E.’s “Top Ticket” and our Talkhouse interview, and our communications continued onto pandemic-era home-recording tips, production ideas, and eventually mixing. The Apple Drop was recorded at Oceanic Studio with Laurence Pike and Cameron Dyell, and at home by Angus Andrew; I mixed the record at Studio Windows, and it was mastered by Lachlan Carrick at Moose Mastering. I may be biased, but as a long-time fan of the group, I can say that y’all are in for a treat with this one! Check out “Sekwar” below, and head over to Mute’s shop to see the wide array of wares available around the release. The Apple Drop is out August 6 via Mute Records.
Last year, Tom Sanders (of the band Teleman) released his debut solo record, Only Magic, and today sees the release of Only Remixes – a collection of remixes & reinterpretations of songs from that album. My group P.E. reworked the song “Tom Quixote”, and our “Hey, Bye!” remix skews the original into a downtempo groover, resulting in one of my favorites of the last year. Only Remixes is available now via Moshi Moshi Music.
Chinese/Canadian guitar-and-bass duo Gong Gong Gong return with Phantom Rhythm Remixed! The remix LP was announced today via Exclaim, along with a remix of “Some Kind of Demon” by Yu Su. The original Phantom Rhythm is a highlight of my discography, and these remixes stretch the sound of those songs into new shapes while remaining undeniably Gong Gong Gong. I’m excited not only for fans being able to hear these new versions, but also that my group P.E. has the opening remix on the album – a psychedelic odyssey spun out of “Ride Your Horse”. Phantom Rhythm Remixed is out on June 25 courtesy of Wharf Cat Records – pre-order the record through their site or Bandcamp, and check out the travelogue video for the Yu Su remix below.
Louisville weirdo-pop trio Wombo have released their newest single “Dreamsickle”. The song (and its accompanying video) premiered on Austin Town Hall, and is from their upcoming EP Keesh Mountain. I mixed “Dreamsickle” and “Just Like Time” this winter, and mastered the full EP at Studio Windows. Keesh Mountain is out May 28th courtesy of Fire Talk Records – head over to Bandcamp to pre-order the limited-edition cassette, and check out the “Dreamsickle” video above.
Before Sunrise – the debut LP from bedroom dream-pop artist Nana Yamato – is out now via Dull Tools & Big Love Records. Pitchfork gave the record a glowing review (“lonely, glowing bedroom pop that relishes in the ecstatic possibilities of sound”), and Nylon interviewed Nana prior to the LP’s release. I produced this record with Nana last year during lockdown – working on sounds & arrangements, adding synths & percussion – and mixed/mastered it at Studio Windows. The songs and the escape it gave me from the pandemic are truly special to me, and it’s a thrill to see so many people responding so well to the record. Check out the videos below, and head over to Bandcamp to order the LP.